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DTSTART;TZID=America/New_York:20260423T110000
DTEND;TZID=America/New_York:20260423T123000
DTSTAMP:20260423T012740
CREATED:20260415T163611Z
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SUMMARY:What Factors Influence Senior People’s Digital Health Technology Adoption Decision in China and Thailand: A Qualitative Study
DESCRIPTION:Register now\n\n\n\n\n\n\n\nPanelists:Haijing Hao\, Associate Professor\, Computer Information Systems\, Bentley University; Associate\, Harvard University Asia Center Heiko Gewald\, Research Professor of Information Management\, Neu-Ulm University\, Neu-Ulm\, Germany (joining virtually) Assadaporn Sapsomboon\, Associate Professor of Information Technology\, Department of Statistics\, Chulalongkorn Business School\, Bangkok\, Thailand (joining virtually) \n\n\n\nModerator: Hongtu Chen\, Co-director\, Social Technology for Global Aging Research Initiative at Harvard; Assistant Professor of Psychology\, Harvard Medical School \n\n\n\nRegistration appreciated for planning purpose.  \n\n\n\nThis panel discussion will cover the TAMAG project\, a cross-cultural study examining how seniors in China\, Thailand\, and Germany navigate digital health technologies and the personal challenges of aging. \n\n\n\nThe TAMAG project (Technology Acceptance Model for the Aging Generation) conducted field interviews with seniors (65+) in China\, Thailand\, and Germany during 2025/26. Participants were drawn from diverse backgrounds and varied geographical regions\, including major cities and rural areas. The study focused on seniors’ daily use of digital technologies\, such as smartphones and tablets\, particularly for health-related purposes. Researchers also explored issues critical to older adults\, including the ease of navigating healthcare systems\, experiences with medical consultations\, and personal perceptions of aging and loneliness. While the interviews highlighted the diverse cultural contexts within China and Thailand\, the next phase of analysis will contrast these findings with the Western context\, as represented by the interviews with German participants. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/what-factors-influence-senior-peoples-digital-health-technology-adoption-decision-in-china-and-thailand-a-qualitative-study/
LOCATION:CGIS South\, Room S153\, 1730 Cambridge St.\, Cambridge\, Massachusetts\, 02138\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260423T163000
DTEND;TZID=America/New_York:20260423T173000
DTSTAMP:20260423T012740
CREATED:20260420T173810Z
LAST-MODIFIED:20260420T173813Z
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SUMMARY:A Conversation with Ambassador Lui Tuck Yew of Singapore
DESCRIPTION:Register now\n\n\n\n\n\n\n\nJoin us for a fireside chat between Ambassador Lui Tuck Yew and Ambassador Nicholas Burns. The conversation will explore Singapore’s role amid intensifying U.S.–China competition and consider the broader forces shaping today’s international landscape. \n\n\n\nAmb Lui Tuck Yew was appointed Singapore’s Ambassador to the United States in June 2023\, after serving as Ambassador to China (2019–2023) and Japan (2017–2019). He was Minister for Transport (2011–2015)\, concurrently Second Minister for Foreign Affairs (2011–2012) and Defense (2015)\, and Minister for Information\, Communications and the Arts (2009–2011). First elected to Parliament in 2006\, he served as Senior Minister of State until 2009. A Singapore Armed Forces scholar\, Amb Lui rose to Chief of Navy in 1999. He later served as Chief Executive of the Maritime and Port Authority (2003) and CEO of the Housing and Development Board (2005). He has degrees from University of Cambridge\, Trinity College United Kingdom\, and Tufts University\, and he was awarded the Public Administration Medal (Bronze) (Military) in 1993\, the Public Administration Medal (Gold) (Military) in 2000\, and the Long Service Medal in 2005. \n\n\n\nAmbassador Nicholas Burns is a Professor of the Practice of Diplomacy and International Relations at the Kennedy School and the Founder and Faculty Chair of the Program on Diplomacy and Statecraft. Burns served as the U.S. Ambassador to the People’s Republic of China from 2021-2025.Registration required. Open to Harvard Faculty\, Students\, and Staff.  \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/a-conversation-with-ambassador-lui-tuck-yew-of-singapore/
LOCATION:Ellwood Democracy Lab – Rubenstein 414AB\, 79 JFK St.\, Cambridge\, Massachusetts\, 02138\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260424T090000
DTEND;TZID=America/New_York:20260424T170000
DTSTAMP:20260423T012740
CREATED:20260408T184306Z
LAST-MODIFIED:20260408T184309Z
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SUMMARY:Gender Studies and Performance Workshop
DESCRIPTION:9:00 – 9:15 AM: Welcome Remarks \n\n\n\n9:15 – 10:45 AM: Panel One \n\n\n\nCommentators: Waiyee Li\,  Harvard UniversityThomas Kelly\, Harvard University \n\n\n\nEugene Wang\, Harvard UniversityThe Woman Inhabiting a Dog’s Body: How Asian Theatre Evolved? \n\n\n\nWhen did Asian theatre begin—and how? I approach this question through a single\, startling image: Mulian’s mother reborn as a dog. The Mulian story—of a son descending into hell to rescue his damned mother—circulated as scripture\, transformation text\, cave mural\, Ghost Festival ritual\, and eventually full-fledged theatrical spectacle. Its remarkable transmedial persistence demands explanation. \n\n\n\nI argue that Mulian functioned as a conceptual engine for theatre’s evolution. The narrative’s internal pressures—how to render hell visible\, how to stage karmic punishment\, how to embody transformation\, how to make filial devotion sensorially overwhelming—forced successive media to innovate. Cave murals developed sequential and topographic pictorial logics; ritual performances mobilized immersive\, participatory environments; theatre devised acrobatics\, mechanical effects\, demonic choreography\, percussive soundscapes\, and startling audience infiltration. \n\n\n\nThe episode of “the woman inhabiting a dog’s body” crystallizes this engine at work: grotesque degradation and redemptive love fused into a single theatrical demand. The story did not simply migrate across media—it reconfigured them. Asian theatre\, I suggest\, emerged not as a sudden invention but as the cumulative response to a narrative that insisted the invisible be made visible\, the metaphysical made bodily\, and salvation staged before a crowd. \n\n\n\nKangni Huang\, University of Southern California\, Society of Fellows in the HumanitiesThe (After)life of a Stele: The Materiality of Writing in Jiang Shiquan’s Three Plays on Consort Lou \n\n\n\nThis paper focuses on the High Qing dramatist Jiang Shiquan’s 蔣士銓 (1725-1785) three plays on Consort Lou 婁妃\, wife of the rebellious Prince Ning\, Zhu Chenhao 朱宸濠 (d. 1520). The historical Consort Lou leaves only scarce traces in official history\, appearing primarily as a virtuous yet tragic figure whose repeated remonstrations against her husband’s rebellion went unheeded. Meanwhile\, Jiang’s theatrical portrayal of this historical figure shapes the image of Consort Lou into a reflexive voice on the issue of writing as material traces. Among the three plays by Jiang\, the first two\, Yi pian shi 一片石 (A Piece of Stone) and Di’er bei 第二碑 (The Second Stele)\, tell the rediscovery and commemoration of her burial site over the span of twenty-five years. And the last one\, Caiqiao tu 採樵圖 (The Painting of Gathering Wood)\, stages the rebellion and Lou’s virtuous actions during the turmoil. Building on recent scholarship that defines these works as “metahistorical plays\,” my analysis highlights the intricate relationship between Consort Lou’s life story as a virtuous woman and the materiality of writing. It argues that Jiang’s recurring reflection on the precariousness of material texts is deeply intertwined with the constructed image of Lou as both a female author and reader. By recentering on Lou’s authorial and readerly voice in these plays\, this study elucidates how theater not only reimagines but also reinvents gender history. \n\n\n\n10:45 – 11:00 AM: Refreshment Break \n\n\n\n11:00 AM – 1:00 PM: Panel Two \n\n\n\nCommentators: David Der-Wei Wang\, Harvard UniversityEileen Cheng-yin Chow\, Duke University \n\n\n\nNancy Rao\, Rutgers UniversityOpera Actresses in the Cantonese Sojourner Community: From Shanghai to San Francisco \n\n\n\nTaking the 1922 encounter in Shanghai between Cantonese opera actress Li Xuefang and Peking opera star Mei Lanfang as a point of departure\, this paper argues that Cantonese opera’s rising status then was a reconfiguration of cultural capital across regional and diasporic networks. By analyzing the circulation of the term “Bei-Mei-Nan-Xue” (北梅南雪) and the scholar–gentry–merchant alliances that underwrote both of their prominence\, the study demonstrates how operatic prestige was produced through urban modernity and elite patronage. The paper situates Shanghai as a mediating hub in the transpacific cultural economy that linked Cantonese opera to Chinese communities in North America. In this way\, opera actresses emerge not only as performers but as agents in the production of diasporic modernity\, negotiating gender\, regional identity\, and transpacific mobility. \n\n\n\nCatherine V. Yeh\, Boston UniversityHuashanas the Ideal Modern Women \n\n\n\nBetween 1910s and early 1920s a group of talented Peking Opera actors\, led by Mei Lanfang 梅兰芳and followed by three other great dan actors created a new female role called huashan 花衫\,or “flower-shirt.” This was remarked upon at the time by the theater world at large as the main reason for their rise in stardom. Undoubtedly\, the new huashan operas attracted large audiences in part because of the novelty of the role\, which combined the three main dan roles including the morally upright qingyi 青衣\,the coquette sexy huadan and the martial\, spirited wudan. In the huadan the audience saw a more rounded female character that seemed to fit the modern standards of realism\, while the dynamism expressed in this new role appeared to represent the spirit of the time. Yet\, in terms of ideology\, this huashan character does not pose a challenge to the Confucian image of the ideal woman. Embedded in each of the three main dan role types is an essentially Confucian view of womanhood. The real formal breakthrough that challenged the standard ideology of ideal womanhood came with the introduction of dance into Peking opera by Mei Lanfang. The re-creation of the lost Chinese dance by him and his adviser Qi Rushan transformed Peking opera aesthetics and its embedded social values. The form itself projected an alternative ideal womanhood that challenged standard gender ideals. At the same time\, Mei Lanfang and Qi Rushan legitimized the introduction of dance by making the claim that what they were doing was reclaiming a lost Chinese aesthetic heritage. The aestheticism of mei 美or beauty was this new ideology’s outer cloak. \n\n\n\nDaphne P. Lei\, University of California\, IrvineConformity as Rebellion? Convention\, Innovation\, and Gendered Interculturalism in Taiwan Jingju \n\n\n\nTraditional theatrical convention\, which made sense when it was invented in the past\, often appears dated or even ridiculous in the context of innovation or modernization. For instance\, the art of stilting (caiqiao) in jingju\, which was invented for male actors to mimic women’s bound feet during the Qing dynasty\, should have disappeared by now\, since women dominate female roles today and the modern definition of femininity goes beyond foot fetish. However\, not only do many “dated” conventions survive\, but they also work as wonderful stimuli for innovation and as a tool to negotiate conceptions of gender and interculturalism. This talk will focus on recent case studies in innovative jingju and jingju-inspired intercultural theatre in Taiwan\, such as The Tempest by Contemporary Legend Theatre. \n\n\n\n1:00 – 2:00 PM: Lunch Break \n\n\n\n2:00 – 2:15 PM: Workshop participants move to Harvard FAS CAM Lab Lower Level\, Sackler Building\, 485 Broadway\, Cambridge MA \n\n\n\n2:30 – 4:00 PM: Room — A Corporeal Dialogue Across Time (2026) \n\n\n\nJingqiu Guan\, Choreographer/Dancer\, Duke UniversityHan Qin\, Visual Design\, State University of New York at Stony BrookEthan Eldred\, Lighting Design\, Duke University \n\n\n\nRoom is a multimedia solo dance performance inspired by poems carved onto the wooden walls of the Angel Island Immigration Station\, written by Asian immigrants detained and interrogated upon their arrival in the United States between 1910 and 1940. Originally staged inside a translucent cube with four projection walls activated through motion-capture choreography\, the work is reimagined for the spatial architecture of Harvard’s CAMLab\, where four parallel screens transform the space into a layered landscape of memory\, surveillance\, and inscription.  \n\n\n\nHan Qin’s visual design\, combining charcoal drawing\, cyanotype blueprint\, and digital art derived from Guan’s original footage of Angel Island\, renders the archive as both tactile and mediated\, material and spectral. Within this constructed “room\,” the dancer\, juxtaposing the labor of birthing with the violence of immigration control\, positions her body as both witness and translator\, engaging in a cross-temporal dialogue with voices that persist through absence and erasure. Room invites us to ponder how we might listen to and touch our histories with openness and humility\, and how freedom is imagined\, constrained\, and valued.  \n\n\n\nPerformance to be immediately followed by a conversation with Jingqiu Guan and Han Qin\, moderated by Eileen Cheng-yin Chow \n\n\n\n4:00 PM: Reception \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/gender-studies-and-performance-workshop/
LOCATION:CGIS South S020\, Belfer Case Study Room\, 1730 Cambridge St.\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Gender Studies
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260427T150000
DTEND;TZID=America/New_York:20260427T160000
DTSTAMP:20260423T012740
CREATED:20260415T161927Z
LAST-MODIFIED:20260415T161929Z
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SUMMARY:Green Transportation: Co-benefits for Climate\, Air Quality\, and the Economy
DESCRIPTION:Speaker: WU Ye\, Professor\, School of Environment\, Tsinghua University\, Beijing\, China; Executive Deputy Director\, Beijing Laboratory of Environment Frontier\, China \n\n\n\nElectric vehicle (EV) promotion is a key strategy to improve air quality and address climate change. As the world’s largest manufacturer of EVs and batteries\, China’s rapid development in both passenger and commercial fleets has also facilitated the global electrification transition. The promotion of electric vehicles must balance cost viability and environmental benefits\, and notable variations across different use scenarios. Air quality benefits depend on the amount and spatiotemporal distribution of pollutant emission reductions\, whereas climate benefits should be assessed from a life-cycle perspective across EV and battery supply chains. \n\n\n\nThis talk will involve recent data research on real-world carbon footprints\, air pollutant emissions\, traffic activity\, and cost to quantify the carbon reduction\, pollution mitigation\, and economic characteristics of EVs and batteries. Next\, it will present case studies of two megacities\, Shanghai and Chengdu\, evaluating the air quality benefits and costs of different electric truck fleets informed by real-world usage data. For example\, it will introduce the real case of road right policy design which has enhanced the economic competitiveness of electric trucks while generating considerable air quality improvements.  \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/green-transportation-co-benefits-for-climate-air-quality-and-the-economy/
LOCATION:Pierce Hall 100F\, 29 Oxford St.\, Cambridge\, MA\, 02138\, United States
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2026/04/Wu-ye.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260501T130000
DTEND;TZID=America/New_York:20260501T173000
DTSTAMP:20260423T012740
CREATED:20260420T175424Z
LAST-MODIFIED:20260420T175427Z
UID:44841-1777640400-1777656600@fairbank.fas.harvard.edu
SUMMARY:2026 Harvard Visual China Graduate Symposium — Enclosures: In and Out of Worldmaking
DESCRIPTION:Throughout history\, the meeting of images and architecture has generated spaces of imagination\, devotion\, and meaning. From murals and sculpture ensembles in Buddhist cave temples to digital projections and immersive installations\, images and architecture have long collaborated in the making of worlds. Yet the relationship between images and architecture in artistic worldmaking is anything but monolithic. Architecture does not merely contain or frame images\, but situates and conditions their visual expressions and interpretations. Conversely\, images transform the built environments that hold them\, reconfiguring space into realms of vision\, ritual\, and belief. Harvard Visual China’s 2026 Graduate Symposium presents two panels on how images and architecture in Chinese and East Asian art at large construct\, sustain\, and reimagine worlds.This event is generously sponsored by the Department of History of Art & Architecture and the Abby Aldrich Rockefeller Innovation Fund\, Harvard FAS CAMLab\, and the Yin-Cheng Distinguished Lecture Series.  \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/2026-harvard-visual-china-graduate-symposium-enclosures-in-and-out-of-worldmaking/
LOCATION:Sackler Building Auditorium\, 485 Broadway\, Cambridge\, MA\, 02138\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260506T153000
DTEND;TZID=America/New_York:20260506T163000
DTSTAMP:20260423T012740
CREATED:20260415T162247Z
LAST-MODIFIED:20260422T184457Z
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SUMMARY:Electric Vehicle–Power System Interactions: Potential\, Impacts\, and Economics
DESCRIPTION:Speaker: ZHAO Yang\, Postdoctoral Fellow\, Harvard Paulson School of Engineering and Applied Sciences \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/electric-vehicle-power-system-interactions-potential-impacts-and-economics/
LOCATION:Pierce Hall 100F\, 29 Oxford St.\, Cambridge\, MA\, 02138\, United States
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2026/04/zhao-yang.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260507T120000
DTEND;TZID=America/New_York:20260507T133000
DTSTAMP:20260423T012740
CREATED:20260422T182437Z
LAST-MODIFIED:20260422T182442Z
UID:44844-1778155200-1778160600@fairbank.fas.harvard.edu
SUMMARY:How to Grow a Human: A Conversation with Michael Puett and Amy Zhang
DESCRIPTION:Register now\n\n\n\n\n\n\n\nSpeakers:Michael Puett\, Walter C. Klein Professor of Chinese History; Director\, Harvard University Asia CenterAmy Zhang\, Writer\, Artist\, and EducatorWhat can ancient Confucian philosophy offer for how we design education and live well in the AI age?Mencius argued that moral life begins not with rules but with cultivating the “four sprouts\,” the seeds of moral life\, through ritual\, relationship\, and care. Join Michael Puett\, Professor of Chinese History and Anthropology and author of The Path: What Chinese Philosophers Can Teach Us About the Good Life\, and Amy Zhang\, graduate student at the Harvard Graduate School of Education and former producer of Netflix’s Patriot Act with Hasan Minhaj\, for a reflection on their fall independent study on ritual and Mencius on moral development. \n\n\n\nEnjoy Chinese tea in this casual talk and salon as we bring together philosophers\, artists\, and educators to ask what it means to design from this non-Western ontology.  \n\n\n\nRSVP Here | Limited Capacity \n\n\n\nMichael Puett (普鸣) is the Walter C. Klein Professor of Chinese History and Chair of the Committee on the Study of Religion and the Director of the Harvard University Asia Center. He is also a non-resident long-term fellow for programs in anthropological and historical sciences and the languages and civilizations of East Asia at the Swedish Collegium for Advanced Study\, Uppsala. \n\n\n\nPuett joined the Harvard faculty in 1994 after earning his M.A. (1987) and Ph.D. (1994) from the Department of Anthropology at the University of Chicago. His interests focus on the inter-relations between religion\, anthropology\, history\, and philosophy. In his research\, Puett aims to bring the study of China into larger historical and comparative frameworks. He has published many articles on early Chinese history (c. 1200 B.C. – c. 755 A.D.)\, and on classical Chinese ritual\, social\, and political theory.Amy Zhang is a writer\, artist\, and educator creating narratives and methods that ask how we live\, learn\, and become human\, drawing from non-Western philosophies and ways of being. As a graduate student at the Harvard Graduate School of Education\, she is developing the right to become human — an applied framework across children’s rights and pluriversal philosophy — along with companion theatrical work (Out of Time) and pedagogy (Awake\, a summer camp for teens to redesign their lives in the attention age).Previously\, she produced global stories for Netflix’s Patriot Act with Hasan Minhaj and worked in documentary theater at Pink Fang (formerly Ping Chong + Company). Her writing has appeared in The New York Times\, The Atlantic\, The Dial\, and Joyland Magazine\, where her short story on Chinese international students won the 2022 Open Borders Prize. Born in Beijing and raised in Hong Kong\, she graduated with honors in anthropology from Wesleyan University and is a descendant of the Neo-Confucian philosopher Zhang Zai. www.amy-zhang.com \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/how-to-grow-a-human-a-conversation-with-michael-puett-and-amy-zhang/
LOCATION:CGIS South\, Room S153\, 1730 Cambridge St.\, Cambridge\, Massachusetts\, 02138\, United States
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2026/04/puettchang.jpg
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