BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Fairbank Center for Chinese Studies - ECPv6.17.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Fairbank Center for Chinese Studies
X-ORIGINAL-URL:https://fairbank.fas.harvard.edu
X-WR-CALDESC:Events for Fairbank Center for Chinese Studies
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20150308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20151101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20160313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20161106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20170312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20171105T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20161108T120000
DTEND;TZID=America/New_York:20161108T133000
DTSTAMP:20160920T194117Z
CREATED:20160920T194117Z
LAST-MODIFIED:20160920T194117Z
UID:3556-1478606400-1478611800@fairbank.fas.harvard.edu
SUMMARY:Fantasies of the Self: Multiples\, Illusions and Poems in the Photographic Culture of Modern China
DESCRIPTION:Speaker: Prof. Shengqing Wu (Division of Humanities\, Hong Kong University of Science and Technology;  HYI Visiting Scholar\, 2016-17)\nChair/discussant: Prof. David Wang (EALC\, Harvard University) \nThis talk investigates the visual configurations\, rhetorical conventions\, and fundamental concepts underlying China’s portrait photography in the early twentieth century. By surveying pictorial magazines\, photo albums of courtesans\, and poems written about new visual experiences\, it addresses issues of how portrait photography was understood and practiced in the flourishing urban culture\, and how traditional aesthetics\, visual tropes\, and Buddhist concepts were involved in adopting and indigenizing the new visual media. The complex interactions of modern technology and aestheticism\, image and text\, reveal that aesthetic tradition was deeply implicated in the cross-cultural exchanges of technologies and power in the formation of China’s urban culture and visual modernity\, further enriching our understanding of optical truth and illusion.
URL:https://fairbank.fas.harvard.edu/events/fantasies-of-the-self-multiples-illusions-and-poems-in-the-photographic-culture-of-modern-china/
ATTACH;FMTTYPE=:
END:VEVENT
END:VCALENDAR