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DTSTART;TZID=America/New_York:20260414T160000
DTEND;TZID=America/New_York:20260414T171500
DTSTAMP:20260414T031135
CREATED:20260406T172004Z
LAST-MODIFIED:20260406T172006Z
UID:44724-1776182400-1776186900@fairbank.fas.harvard.edu
SUMMARY:Machine and Sovereignty: For a Planetary Thinking 
DESCRIPTION:Speaker: Yuk Hui\, Erasmus UniversityModerator: David Der-wei Wang\, Harvard University \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/machine-and-sovereignty-for-a-planetary-thinking/
LOCATION:Common Room\, 2 Divinity Ave.\, 2 Divinity Ave.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Events of Interest
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2026/04/yuk-hui.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260415T120000
DTEND;TZID=America/New_York:20260415T131500
DTSTAMP:20260414T031135
CREATED:20251215T202338Z
LAST-MODIFIED:20260305T193139Z
UID:43878-1776254400-1776258900@fairbank.fas.harvard.edu
SUMMARY:Critical Issues Confronting China series featuring Ian Johnson — Reclaiming Historical Memory and the Struggle for China’s Future
DESCRIPTION:Speaker: Ian Johnson\, Author; Founder\, China Unofficial Archives \n\n\n\nDiscussant: Michael Szonyi\, Frank Wen-Hsiung Wu Memorial Professor of Chinese History; Former Director\, Fairbank Center for Chinese Studies\, Harvard University \n\n\n\nIan Johnson is a Pulitzer Prize-winning journalist\, author\, teacher\, and researcher. He has been engaged with China for the past thirty-five years\, writing on the country’s search for faith and values\, as well as efforts to control dissent and history. \n\n\n\nHe was a 2024-2025 fellow at the Wissenschaftskolleg zu Berlin\, where he is writing a new book on China. He also contributes to The New York Review of Books\, The New Yorker\, and regularly speaks in the media or to public audiences about China.  \n\n\n\nHe is the founder of the China Unofficial Archives\, an online repository of hundreds of samizdat magazines\, books\, and underground films. This website is a registered (501c3) non-profit that uploads and annotates new movies and publications daily. \n\n\n\nHis latest book\, Sparks: China’s Underground Historians and Their Battle for the Future\, describes how some of China’s best-known writers\, filmmakers\, and artists have overcome crackdowns and censorship to forge a nationwide movement that challenges the Communist Party on its most hallowed ground: its control of history.  \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/critical-issues-confronting-china-series-featuring-ian-jonshon-reclaiming-historical-memory-and-the-struggle-for-chinas-future/
LOCATION:CGIS South S020\, Belfer Case Study Room\, 1730 Cambridge St.\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Critical Issues Confronting China,Critical Issues Confronting China Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260415T120000
DTEND;TZID=America/New_York:20260415T130000
DTSTAMP:20260414T031135
CREATED:20260406T172247Z
LAST-MODIFIED:20260406T172259Z
UID:44729-1776254400-1776258000@fairbank.fas.harvard.edu
SUMMARY:Taiwan: The Politics of Difference
DESCRIPTION:Speaker: Anthony Hao Yeh\,  National Chengchi UniversityModerator: David Der-wei Wang\, Harvard University \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/taiwan-the-politics-of-difference/
LOCATION:Common Room\, 2 Divinity Ave.\, 2 Divinity Ave.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Events of Interest
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260416T120000
DTEND;TZID=America/New_York:20260416T131500
DTSTAMP:20260414T031135
CREATED:20260312T154333Z
LAST-MODIFIED:20260312T154336Z
UID:44572-1776340800-1776345300@fairbank.fas.harvard.edu
SUMMARY:Taiwan Workshop featuring Thung-Hong Lin — Stormy Seas: Taiwan’s Democratic Resilience under China’s Sharp Power
DESCRIPTION:Speaker: Thung-Hong Lin\, Research Fellow\, Institute of Sociology\, Academia Sinica\, Taiwan.  \n\n\n\nHow can a small democracy resist the influence of a powerful authoritarian neighbor? Taiwan is often praised for its successful economic development and peaceful democratic transition\, yet it faces substantial challenges from both internal political divisions and external geopolitical pressures. Taiwan’s political landscape is shaped by several major cleavages\, including national identity\, economic inequality and class conflict\, and generational and cultural differences. The greatest challenge to Taiwan’s democracy comes from China\, which has sought to exploit these cleavages through economic leverage\, propaganda\, and political interference. Under the pressure of Beijing’s sharp power\, Taiwan’s democracy has repeatedly faced threats of regression. Yet each time these pressures escalate\, Taiwan’s civil society has mobilized in response\, playing a crucial role in defending democratic institutions. Drawing on case studies such as the 2014 Sunflower Movement\, the 2019 wave of solidarity with Hong Kong protests\, and recent civic mobilizations in 2024\, this talk highlights how Taiwan’s vibrant civil society has become a key source of democratic resilience. \n\n\n\nThe talk is based on Lin’s forthcoming book\, Stormy Seas: Taiwan Under the Shadow of China in the 21st Century (Stanford University Press\, forthcoming September 2026)\, which situates Taiwan’s democratic resilience within the broader trajectory of U.S.–China relations and global geopolitics over the past half century. \n\n\n\nThung-Hong Lin is a Research Fellow at the Institute of Sociology\, Academia Sinica\, Taiwan. He studies inequality\, political economy\, disasters\, and Taiwan’s democracy\, and was a 2023–24 Stanford–Taiwan Social Science Fellow at the Center for Advanced Study in the Behavioral Sciences (CASBS) and a Fulbright Fellow. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/taiwan-workshop-featuring-thung-hong-lin-stormy-seas-taiwans-democratic-resilience-under-chinas-sharp-power/
LOCATION:CGIS Knafel K262\, 1737 Cambridge Street\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Taiwan
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260416T120000
DTEND;TZID=America/New_York:20260416T133000
DTSTAMP:20260414T031135
CREATED:20260406T172546Z
LAST-MODIFIED:20260406T172550Z
UID:44731-1776340800-1776346200@fairbank.fas.harvard.edu
SUMMARY:Sinophone South Studies: A Dialogue
DESCRIPTION:Speakers: Chia-rong Wu\, University of CanterburyKyle Shernuk\, Georgetown UniversityModerator: David Der-wei Wang\, Harvard University \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/sinophone-south-studies-a-dialogue/
LOCATION:Plimpton Room (133)\, Barker Center\, 12 Quincy St.\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Events of Interest
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2026/04/kyle.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260417T093000
DTEND;TZID=America/New_York:20260417T170000
DTSTAMP:20260414T031135
CREATED:20260408T182441Z
LAST-MODIFIED:20260408T182443Z
UID:44740-1776418200-1776445200@fairbank.fas.harvard.edu
SUMMARY:Taiwan Studies+ 2.0 Symposium
DESCRIPTION:As Taiwan finds itself reentering into the global conversation today\, where does the field of Taiwan Studies find itself in this historical moment? From the origins of capitalism to the threat of nuclear pollution\, from soundscapes in the authoritarian era to contemporary video games\, from indigenous identities to Cold War activism\, and from geopolitical competition to ecological imaginations – how do we identify different moments of Taiwan’s history as key nodes of global and local processes? This symposium\, now in its second iteration\, seeks to bring together different generations of global Taiwan scholars\, with the goal to foster new linkages and networks for a burgeoning field. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/taiwan-studies-2-0-symposium/
LOCATION:Yenching Auditorium\, 2 Divinity Ave.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Events of Interest
ATTACH;FMTTYPE=image/png:https://fairbank.fas.harvard.edu/wp-content/uploads/2025/04/taiwan.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260421T103000
DTEND;TZID=America/New_York:20260421T113000
DTSTAMP:20260414T031135
CREATED:20260129T190506Z
LAST-MODIFIED:20260129T190507Z
UID:44165-1776767400-1776771000@fairbank.fas.harvard.edu
SUMMARY:Revisiting the Wasteocene: Shifting Circular Economies of Night-soil in Early 20th-Century China
DESCRIPTION:Register for zoom webinar\n\n\n\n\n\n\n\nSpeaker: Gonçalo Santos\, University of CoimbraMeeting Registration – Zoom \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/revisiting-the-wasteocene-shifting-circular-economies-of-night-soil-in-early-20th-century-china/
LOCATION:Presented via Zoom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260422T113000
DTEND;TZID=America/New_York:20260422T130000
DTSTAMP:20260414T031135
CREATED:20260312T153727Z
LAST-MODIFIED:20260312T153730Z
UID:44569-1776857400-1776862800@fairbank.fas.harvard.edu
SUMMARY:What Does It Mean to “Write Oneself” in Tibetan Autobiographical Tradition: The Amazing  Life of Guru Chowang
DESCRIPTION:Speaker: Geri Jiebu\, Associate Professor\, School of Chinese Ethnic Minority Language and Literature\, Minzu University of China; HYI Visiting Scholar\, 2025-26Chair/Discussant: Janet Gyatso\, Hershey Professor of Buddhist Studies\, Harvard Divinity School \n\n\n\n\nWhat Does It Mean to “Write Oneself” in Tibetan Autobiographical Tradition: The Amazing Life of Guru Chowang\n\n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/what-does-it-mean-to-write-oneself-in-tibetan-autobiographical-tradition-the-amazing-life-of-guru-chowang/
LOCATION:Common Room\, 2 Divinity Ave.\, 2 Divinity Ave.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Events of Interest
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2026/03/FNU-Geri-Jiebu.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260424T090000
DTEND;TZID=America/New_York:20260424T170000
DTSTAMP:20260414T031135
CREATED:20260408T184306Z
LAST-MODIFIED:20260408T184309Z
UID:44742-1777021200-1777050000@fairbank.fas.harvard.edu
SUMMARY:Gender Studies and Performance Workshop
DESCRIPTION:9:00 – 9:15 AM: Welcome Remarks \n\n\n\n9:15 – 10:45 AM: Panel One \n\n\n\nCommentators: Waiyee Li\,  Harvard UniversityThomas Kelly\, Harvard University \n\n\n\nEugene Wang\, Harvard UniversityThe Woman Inhabiting a Dog’s Body: How Asian Theatre Evolved? \n\n\n\nWhen did Asian theatre begin—and how? I approach this question through a single\, startling image: Mulian’s mother reborn as a dog. The Mulian story—of a son descending into hell to rescue his damned mother—circulated as scripture\, transformation text\, cave mural\, Ghost Festival ritual\, and eventually full-fledged theatrical spectacle. Its remarkable transmedial persistence demands explanation. \n\n\n\nI argue that Mulian functioned as a conceptual engine for theatre’s evolution. The narrative’s internal pressures—how to render hell visible\, how to stage karmic punishment\, how to embody transformation\, how to make filial devotion sensorially overwhelming—forced successive media to innovate. Cave murals developed sequential and topographic pictorial logics; ritual performances mobilized immersive\, participatory environments; theatre devised acrobatics\, mechanical effects\, demonic choreography\, percussive soundscapes\, and startling audience infiltration. \n\n\n\nThe episode of “the woman inhabiting a dog’s body” crystallizes this engine at work: grotesque degradation and redemptive love fused into a single theatrical demand. The story did not simply migrate across media—it reconfigured them. Asian theatre\, I suggest\, emerged not as a sudden invention but as the cumulative response to a narrative that insisted the invisible be made visible\, the metaphysical made bodily\, and salvation staged before a crowd. \n\n\n\nKangni Huang\, University of Southern California\, Society of Fellows in the HumanitiesThe (After)life of a Stele: The Materiality of Writing in Jiang Shiquan’s Three Plays on Consort Lou \n\n\n\nThis paper focuses on the High Qing dramatist Jiang Shiquan’s 蔣士銓 (1725-1785) three plays on Consort Lou 婁妃\, wife of the rebellious Prince Ning\, Zhu Chenhao 朱宸濠 (d. 1520). The historical Consort Lou leaves only scarce traces in official history\, appearing primarily as a virtuous yet tragic figure whose repeated remonstrations against her husband’s rebellion went unheeded. Meanwhile\, Jiang’s theatrical portrayal of this historical figure shapes the image of Consort Lou into a reflexive voice on the issue of writing as material traces. Among the three plays by Jiang\, the first two\, Yi pian shi 一片石 (A Piece of Stone) and Di’er bei 第二碑 (The Second Stele)\, tell the rediscovery and commemoration of her burial site over the span of twenty-five years. And the last one\, Caiqiao tu 採樵圖 (The Painting of Gathering Wood)\, stages the rebellion and Lou’s virtuous actions during the turmoil. Building on recent scholarship that defines these works as “metahistorical plays\,” my analysis highlights the intricate relationship between Consort Lou’s life story as a virtuous woman and the materiality of writing. It argues that Jiang’s recurring reflection on the precariousness of material texts is deeply intertwined with the constructed image of Lou as both a female author and reader. By recentering on Lou’s authorial and readerly voice in these plays\, this study elucidates how theater not only reimagines but also reinvents gender history. \n\n\n\n10:45 – 11:00 AM: Refreshment Break \n\n\n\n11:00 AM – 1:00 PM: Panel Two \n\n\n\nCommentators: David Der-Wei Wang\, Harvard UniversityEileen Cheng-yin Chow\, Duke University \n\n\n\nNancy Rao\, Rutgers UniversityOpera Actresses in the Cantonese Sojourner Community: From Shanghai to San Francisco \n\n\n\nTaking the 1922 encounter in Shanghai between Cantonese opera actress Li Xuefang and Peking opera star Mei Lanfang as a point of departure\, this paper argues that Cantonese opera’s rising status then was a reconfiguration of cultural capital across regional and diasporic networks. By analyzing the circulation of the term “Bei-Mei-Nan-Xue” (北梅南雪) and the scholar–gentry–merchant alliances that underwrote both of their prominence\, the study demonstrates how operatic prestige was produced through urban modernity and elite patronage. The paper situates Shanghai as a mediating hub in the transpacific cultural economy that linked Cantonese opera to Chinese communities in North America. In this way\, opera actresses emerge not only as performers but as agents in the production of diasporic modernity\, negotiating gender\, regional identity\, and transpacific mobility. \n\n\n\nCatherine V. Yeh\, Boston UniversityHuashanas the Ideal Modern Women \n\n\n\nBetween 1910s and early 1920s a group of talented Peking Opera actors\, led by Mei Lanfang 梅兰芳and followed by three other great dan actors created a new female role called huashan 花衫\,or “flower-shirt.” This was remarked upon at the time by the theater world at large as the main reason for their rise in stardom. Undoubtedly\, the new huashan operas attracted large audiences in part because of the novelty of the role\, which combined the three main dan roles including the morally upright qingyi 青衣\,the coquette sexy huadan and the martial\, spirited wudan. In the huadan the audience saw a more rounded female character that seemed to fit the modern standards of realism\, while the dynamism expressed in this new role appeared to represent the spirit of the time. Yet\, in terms of ideology\, this huashan character does not pose a challenge to the Confucian image of the ideal woman. Embedded in each of the three main dan role types is an essentially Confucian view of womanhood. The real formal breakthrough that challenged the standard ideology of ideal womanhood came with the introduction of dance into Peking opera by Mei Lanfang. The re-creation of the lost Chinese dance by him and his adviser Qi Rushan transformed Peking opera aesthetics and its embedded social values. The form itself projected an alternative ideal womanhood that challenged standard gender ideals. At the same time\, Mei Lanfang and Qi Rushan legitimized the introduction of dance by making the claim that what they were doing was reclaiming a lost Chinese aesthetic heritage. The aestheticism of mei 美or beauty was this new ideology’s outer cloak. \n\n\n\nDaphne P. Lei\, University of California\, IrvineConformity as Rebellion? Convention\, Innovation\, and Gendered Interculturalism in Taiwan Jingju \n\n\n\nTraditional theatrical convention\, which made sense when it was invented in the past\, often appears dated or even ridiculous in the context of innovation or modernization. For instance\, the art of stilting (caiqiao) in jingju\, which was invented for male actors to mimic women’s bound feet during the Qing dynasty\, should have disappeared by now\, since women dominate female roles today and the modern definition of femininity goes beyond foot fetish. However\, not only do many “dated” conventions survive\, but they also work as wonderful stimuli for innovation and as a tool to negotiate conceptions of gender and interculturalism. This talk will focus on recent case studies in innovative jingju and jingju-inspired intercultural theatre in Taiwan\, such as The Tempest by Contemporary Legend Theatre. \n\n\n\n1:00 – 2:00 PM: Lunch Break \n\n\n\n2:00 – 2:15 PM: Workshop participants move to Harvard FAS CAM Lab Lower Level\, Sackler Building\, 485 Broadway\, Cambridge MA \n\n\n\n2:30 – 4:00 PM: Room — A Corporeal Dialogue Across Time (2026) \n\n\n\nJingqiu Guan\, Choreographer/Dancer\, Duke UniversityHan Qin\, Visual Design\, State University of New York at Stony BrookEthan Eldred\, Lighting Design\, Duke University \n\n\n\nRoom is a multimedia solo dance performance inspired by poems carved onto the wooden walls of the Angel Island Immigration Station\, written by Asian immigrants detained and interrogated upon their arrival in the United States between 1910 and 1940. Originally staged inside a translucent cube with four projection walls activated through motion-capture choreography\, the work is reimagined for the spatial architecture of Harvard’s CAMLab\, where four parallel screens transform the space into a layered landscape of memory\, surveillance\, and inscription.  \n\n\n\nHan Qin’s visual design\, combining charcoal drawing\, cyanotype blueprint\, and digital art derived from Guan’s original footage of Angel Island\, renders the archive as both tactile and mediated\, material and spectral. Within this constructed “room\,” the dancer\, juxtaposing the labor of birthing with the violence of immigration control\, positions her body as both witness and translator\, engaging in a cross-temporal dialogue with voices that persist through absence and erasure. Room invites us to ponder how we might listen to and touch our histories with openness and humility\, and how freedom is imagined\, constrained\, and valued.  \n\n\n\nPerformance to be immediately followed by a conversation with Jingqiu Guan and Han Qin\, moderated by Eileen Cheng-yin Chow \n\n\n\n4:00 PM: Reception \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/gender-studies-and-performance-workshop/
LOCATION:CGIS South S020\, Belfer Case Study Room\, 1730 Cambridge St.\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Gender Studies
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260428T150000
DTEND;TZID=America/New_York:20260428T170000
DTSTAMP:20260414T031135
CREATED:20260327T201631Z
LAST-MODIFIED:20260409T170413Z
UID:44673-1777388400-1777395600@fairbank.fas.harvard.edu
SUMMARY:China’s Political Economy: Challenges and Opportunities — Presentations by Fairbank Center Visiting Scholars and Fellows
DESCRIPTION:Presentations: \n\n\n\nLingang Zhou\, Associate Professor\, School of Politics and International Affairs\, East China Normal University; 2025-26 Visiting Scholar\, Fairbank Center for Chinese Studies Why is China’s Constitution “provisional” and why does it matter?China’s constitution provides the foundation for the People’s Republic of China’s governing system. However\, a deep analysis of the Communist Party’s own logic and language around the formulation of the constitution’s various versions\, from 1954 to 1975\, 1978 and 1982\, suggests that the constitution until today is in an interim\, or temporary state. That means there is an inconsistency between theory and practice—a continuing challenge for the Chinese people. \n\n\n\nThere are two important factors that highlight the provisional nature of the PRC constitution. First\, the constitution was originally founded on a hierarchical social structure that was pronounced by Marxist-Leninist class theory: the exploiting classes were intentionally deprived of political rights\, while political rights were distributed between workers and peasants unequally. Workers were given more rights than peasants. \n\n\n\nBut following the Party’s announcement of the completion of socialist transformation in 1956\, China’s exploiting classes in theory were eliminated. And then in 2010\, the unequal distribution of political rights between workers and peasants was abolished\, too. \n\n\n\nAnd yet\, despite the fact that these societal foundations of the constitution have been eliminated\, the PRC’s constitutional system has not undergone any substantial change. The principle of equality continues to be interpreted hierarchically—meaning equality in the application of law\, but inequality in legislation. \n\n\n\nThis paradox prevents all Chinese citizens from equally expressing their constituent will\, and of course also means that none of the PRC constitutions are the product of the equally expressed constituent will of all Chinese people. \n\n\n\nThe second major evidence that the PRC constitution is provisional lies in the fact that on paper\, there continues to be a state of war between the two sides of the Taiwan Strait. Only after a peace treaty ending this state of war is signed can the PRC constitution truly represent all Chinese people\, thus ending its provisional state. \n\n\n\nYixiao Zhou\, Associate Professor in Economics and Director of the China Economy Program\, Crawford School of Public Policy\, The Australian National University; 2025-26 Visiting Scholar\, Fairbank Center for Chinese Studies The Impact of Chinese Firms on Global Competition Since China’s market-oriented reforms and accession to the World Trade Organization (WTO)\, the share of Chinese firms in the global market has expanded significantly in recent decades. In this talk\, Yixiao Zhou examines how the increase in China’s global market share has reshaped global competition. She examines how competitive pressure varies between firms of different market power\, size\, geographic locations\, and industry sectors. \n\n\n\nYunli Lou\, Founder and Managing Partner\, Milestone Capital Partners; 2025-26 Visiting Fellow of Practice\, Fairbank Center for Chinese Studies China’s Path to Energy Security – what has been achieved and what can be learned?For more than a decade\, China has been deliberately building an energy infrastructure and supply chain with a goal to reduce reliance on imports\, dramatically increase clean energy production and consumption\, and achieve a high degree of energy self-sufficiency. This will only be accomplished through a fundamental transformation of its energy system\, moving from a fossil-fuel dominant structure to one led by new energy sources.   \n\n\n\nBased on her experience investing in renewable and battery companies in China over the last 20 years\, Yunli Lou will present a case study to illustrate the opportunities and challenges for firms in China’s new energy sector. \n\n\n\nDiscussant: Mark Wu\, Henry L. Stimson Professor of Law\, Harvard Law School; Director\, Fairbank Center for Chinese Studies  \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/fairbank-center-visiting-scholar-presentations-4/
LOCATION:CGIS South\, Room S153\, 1730 Cambridge St.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Special Event
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