BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Fairbank Center for Chinese Studies - ECPv6.16.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Fairbank Center for Chinese Studies
X-ORIGINAL-URL:https://fairbank.fas.harvard.edu
X-WR-CALDESC:Events for Fairbank Center for Chinese Studies
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241017T113000
DTEND;TZID=America/New_York:20241017T130000
DTSTAMP:20260519T204255
CREATED:20240918T172203Z
LAST-MODIFIED:20240927T162135Z
UID:37425-1729164600-1729170000@fairbank.fas.harvard.edu
SUMMARY:Zhang Jing — A Modernization Marching to Revolution: Science\, Technology\, and Diplomacy in Mao’s China
DESCRIPTION:Speaker: Zhang Jing\, Associate Professor\, Department of History\, Peking University; HYI Visiting Scholar\, 2024-25Chair/Discussant\, Arunabh Ghosh\, Associate Professor of History\, Harvard University \n\n\n\nAs a set of terms\, “modernization” and its earlier discursive forms\, such as “industrialization” and “Westernization\,” have been continuously invoked by historical actors and historians throughout over a century of Chinese history\, particularly during different historical stages such as the armed revolution\, socialist revolution and construction\, and the reform and opening up under the leadership of the Chinese Communist Party (CCP). This discursive phenomenon runs through various events in China’s recent century-long history\, all referred to as “revolutions.” These include a series of continuous struggles led by the CCP against “colonialism\,” “imperialism\,” “feudalism\,” “capitalism\,” “bureaucratism\,” and “liberalism.” The invocation of the term “modernization” by CCP leaders often served as a goal for the revolution to achieve or as a vision of construction after revolutionary success\, aimed at rallying and inspiring revolutionary actions. The only notable exception largely occurred between 1966 and 1975. The modernization project initiated by Mao Zedong during the socialist revolution (1949-1956)\, which underwent a decade of exploration in socialist construction (1956-1966)\, ultimately devolved into the self-destructive and chaotic “Cultural Revolution” in 1966. To address the issue of this “modernization paradox” in the Maoist era\, Professor Zhang will attempt to establish an interpretive framework from the perspective of discursive practice and state-building. Through a critical analysis of the relationship between discourse\, knowledge\, and power\, she will examine the participation of discourse in state-building practices in the fields of science\, technology\, and diplomacy during the Maoist period. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/zhang-jing-a-modernization-leading-to-revolution-science-technology-and-diplomacy-in-maos-china/
LOCATION:Common Room\, 2 Divinity Ave.\, 2 Divinity Ave.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Co-Sponsored Lectures
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/09/Zhang-jing.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241018T140000
DTEND;TZID=America/New_York:20241018T160000
DTSTAMP:20260519T204255
CREATED:20240903T185222Z
LAST-MODIFIED:20240918T200456Z
UID:37256-1729260000-1729267200@fairbank.fas.harvard.edu
SUMMARY:Digital China Initiative Workshop — Beyond Chatbots: RAG and Agent
DESCRIPTION:register here\n\n\n\n\n\n\n\nThis workshop delves deeper into advanced applications of Large Language Models (LLMs) beyond simple chatbot interfaces. Participants will explore how to leverage APIs to connect various tools with LLMs\, build private knowledge bases for more accurate and context-specific generation\, and utilize agents to expand the capabilities of LLMs in Literay Sinitic Studies. \n\n\n\nTarget Audience: \n\n\n\n\nFaculty and students in Literary Sinitic Studies with basic familiarity with GenAI and looking to implement more advanced AI solutions in their work\n\n\n\n\nWorkshop Objectives: \n\n\n\n\nUnderstand the concept and importance of APIs in connecting LLMs with other tools\n\n\n\nLearn how to implement Retrieval-Augmented Generation (RAG) for Literary Sinitic Studies\n\n\n\nExplore the use of AI agents to enhance LLM capabilities in research and analysis\n\n\n\n\nAlso held October 11 and 25. \n\n\n\nRegistration Page \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/digital-china-initiative-workshop-beyond-chatbots-rag-and-agent-2/
LOCATION:Room 202\, 61 Kirkland St.\, 61 Kirkland St.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Co-Sponsored Lectures
ATTACH;FMTTYPE=image/png:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/09/Digital-China-LOGO.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241018T140000
DTEND;TZID=America/New_York:20241018T180000
DTSTAMP:20260519T204255
CREATED:20241010T155507Z
LAST-MODIFIED:20241010T155510Z
UID:37820-1729260000-1729274400@fairbank.fas.harvard.edu
SUMMARY:Exhibit: Dunhuang and Beyond
DESCRIPTION:reserve a ticket\n\n\n\n\n\n\n\nA major milestone and world-renowned heritage site within Silk Road networks\, Dunhuang preserves more than 400 embellished Buddhist cave shrines in present-day northwest China. \n\n\n\nDunhuang’s cave shrines date from the fifth to fourteenth centuries. Each encloses visitors within murals and carved figures that depict Buddhist legends and paradises. Chronicling innumerable exemplary works of Buddhist artmaking over centuries\, Dunhuang forms the largest encyclopedia art collection in situ. More significant than these artistic achievements\, the caves offer a glimpse into a universe that rests beyond our known physical reality. Much like the shadowy illusions of Plato’s allegorical cave\, the pictorial programs across Dunhuang’s caves reveal higher truths about life\, death\, and spiritual transcendence. \n\n\n\nThis fall\, CAMLab contextualizes Dunhuang within Buddhism’s broader currents of space- and art-making that surged across China during the medieval period.• Immersing visitors in confluences of light and sound\, the Cave Dance and Shadow Cave projects are case studies of two Dunhuang caves that reimagine the rich theatricality conjured by depictions of the dramas of the Buddha’s life and dances of transcendent beings. \n\n\n\n• Rebuilding the world’s tallest pagoda in VR\, the Embodied Architecture project invokes an 11the century transmission of these dynamics within the towering Shayka pagoda of the Fogang Monastery in present-day Yingxian\, China. There\, Buddhist pictorial motifs demarcate a journey of ascension toward enlightenment. \n\n\n\n• The Digital Temple project uses an interactive interface to unpack the multiplicity of compositions and multivalent topographies rendered across the murals of Kaihua monastery. \n\n\n\nBy examining Buddhism’s three primary contexts in medieval China—the cave\, the pagoda\, and the temple—these CAMLab projects reveal the dramatic perceptual experiences and invisible force fields embedded by visual programs within Buddhist sites.Reserve Your Ticket \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/exhibit-dunhuang-and-beyond/
LOCATION:Sackler Building\, Lower Level\, 485 Broadway\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Events of Interest
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/CAMlab.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241019T140000
DTEND;TZID=America/New_York:20241019T180000
DTSTAMP:20260519T204255
CREATED:20241010T155540Z
LAST-MODIFIED:20241010T155542Z
UID:37823-1729346400-1729360800@fairbank.fas.harvard.edu
SUMMARY:Exhibit: Dunhuang and Beyond
DESCRIPTION:reserve a ticket\n\n\n\n\n\n\n\nA major milestone and world-renowned heritage site within Silk Road networks\, Dunhuang preserves more than 400 embellished Buddhist cave shrines in present-day northwest China. \n\n\n\nDunhuang’s cave shrines date from the fifth to fourteenth centuries. Each encloses visitors within murals and carved figures that depict Buddhist legends and paradises. Chronicling innumerable exemplary works of Buddhist artmaking over centuries\, Dunhuang forms the largest encyclopedia art collection in situ. More significant than these artistic achievements\, the caves offer a glimpse into a universe that rests beyond our known physical reality. Much like the shadowy illusions of Plato’s allegorical cave\, the pictorial programs across Dunhuang’s caves reveal higher truths about life\, death\, and spiritual transcendence. \n\n\n\nThis fall\, CAMLab contextualizes Dunhuang within Buddhism’s broader currents of space- and art-making that surged across China during the medieval period.• Immersing visitors in confluences of light and sound\, the Cave Dance and Shadow Cave projects are case studies of two Dunhuang caves that reimagine the rich theatricality conjured by depictions of the dramas of the Buddha’s life and dances of transcendent beings. \n\n\n\n• Rebuilding the world’s tallest pagoda in VR\, the Embodied Architecture project invokes an 11the century transmission of these dynamics within the towering Shayka pagoda of the Fogang Monastery in present-day Yingxian\, China. There\, Buddhist pictorial motifs demarcate a journey of ascension toward enlightenment. \n\n\n\n• The Digital Temple project uses an interactive interface to unpack the multiplicity of compositions and multivalent topographies rendered across the murals of Kaihua monastery. \n\n\n\nBy examining Buddhism’s three primary contexts in medieval China—the cave\, the pagoda\, and the temple—these CAMLab projects reveal the dramatic perceptual experiences and invisible force fields embedded by visual programs within Buddhist sites.Reserve Your Ticket \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/exhibit-dunhuang-and-beyond-2/
LOCATION:Sackler Building\, Lower Level\, 485 Broadway\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Events of Interest
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/CAMlab.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241020T140000
DTEND;TZID=America/New_York:20241020T180000
DTSTAMP:20260519T204255
CREATED:20241010T155608Z
LAST-MODIFIED:20241010T155609Z
UID:37825-1729432800-1729447200@fairbank.fas.harvard.edu
SUMMARY:Exhibit: Dunhuang and Beyond
DESCRIPTION:reserve a ticket\n\n\n\n\n\n\n\nA major milestone and world-renowned heritage site within Silk Road networks\, Dunhuang preserves more than 400 embellished Buddhist cave shrines in present-day northwest China. \n\n\n\nDunhuang’s cave shrines date from the fifth to fourteenth centuries. Each encloses visitors within murals and carved figures that depict Buddhist legends and paradises. Chronicling innumerable exemplary works of Buddhist artmaking over centuries\, Dunhuang forms the largest encyclopedia art collection in situ. More significant than these artistic achievements\, the caves offer a glimpse into a universe that rests beyond our known physical reality. Much like the shadowy illusions of Plato’s allegorical cave\, the pictorial programs across Dunhuang’s caves reveal higher truths about life\, death\, and spiritual transcendence. \n\n\n\nThis fall\, CAMLab contextualizes Dunhuang within Buddhism’s broader currents of space- and art-making that surged across China during the medieval period.• Immersing visitors in confluences of light and sound\, the Cave Dance and Shadow Cave projects are case studies of two Dunhuang caves that reimagine the rich theatricality conjured by depictions of the dramas of the Buddha’s life and dances of transcendent beings. \n\n\n\n• Rebuilding the world’s tallest pagoda in VR\, the Embodied Architecture project invokes an 11the century transmission of these dynamics within the towering Shayka pagoda of the Fogang Monastery in present-day Yingxian\, China. There\, Buddhist pictorial motifs demarcate a journey of ascension toward enlightenment. \n\n\n\n• The Digital Temple project uses an interactive interface to unpack the multiplicity of compositions and multivalent topographies rendered across the murals of Kaihua monastery. \n\n\n\nBy examining Buddhism’s three primary contexts in medieval China—the cave\, the pagoda\, and the temple—these CAMLab projects reveal the dramatic perceptual experiences and invisible force fields embedded by visual programs within Buddhist sites.Reserve Your Ticket \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/exhibit-dunhuang-and-beyond-3/
LOCATION:Sackler Building\, Lower Level\, 485 Broadway\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Events of Interest
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/CAMlab.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241021T160000
DTEND;TZID=America/New_York:20241021T180000
DTSTAMP:20260519T204255
CREATED:20240819T142435Z
LAST-MODIFIED:20241007T155848Z
UID:37168-1729526400-1729533600@fairbank.fas.harvard.edu
SUMMARY:China Humanities Seminar featuring Shoufu Yin — The China that Could Have Been: Counterfactual Imagination and Political Thought\, 1313-1621
DESCRIPTION:Speaker: Shoufu Yin\, Assistant Professor of History\, University of British Columbia \n\n\n\nWhat could China—or the entire world—have been? Starting in the fourteenth century\, hundreds of thousands of individuals in present-day China\, Korea\, and Vietnam were ruminating on this question in their own ways. They began by placing themselves in a moment in Chinese history\, composing documents from the perspectives of the historical figures in question. In this process\, they argued that these figures could have acted differently and that China could have been a different place—even though actual history unfolded otherwise. This talk traces how this form of counterfactualism gained popularity in East Asia through a shared curriculum and explores how such mediated political imaginations transformed the broader intellectual landscape. Specifically\, using sources in Mongolian\, Persian\, and other languages\, I contend that the Inner Asian tradition played a critical role in shaping the educational curriculum of the Sinitic sphere. Combining data visualization and close reading\, I turn to long-forgotten individuals in Seoul\, Suzhou\, and other places. Through their counterfactual ventures\, as we shall see\, these historical thinkers theorized what could and should have been possible for each individual and opened up new possibilities for being in a political society. \n\n\n\nShoufu Yin is an assistant professor of history at the University of British Columbia. His expertise lies in the intellectual and political cultures of China and Inner Asia from the eleventh to the seventeenth centuries. Delving into sources in Chinese\, Manchu\, Mongolian\, Persian\, and various European languages\, he endeavors to show how previously unknown and marginalized thinkers had contributed to important themes in theory and philosophy. His first book manuscript\, The China That Could Have Been: Rhetoric and Political Thought\, 1100–1600 (currently under review)\, contends that the everyday political imagination of countless individuals lays the foundation of modern political thought. His next book\, titled 1156: China’s Referendum\, will trace how emic concepts and indigenous experiences from China can help us reframe and rewrite the global history of democratization. He has also been conducting research for another major project that rethinks global intellectual transformations through the lens of Manchu- and Mongolian-language historiographies of the seventeenth century. His recent articles have appeared in the American Political Science Review\, Journal of the History of Ideas\, History of Political Thought\, Journal of Asian Studies\, T’oung Pao\, Journal of Chinese History\, Korean Studies\, and other platforms. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/china-humanities-seminar-featuring-yin-shoufu/
LOCATION:Common Room\, 2 Divinity Ave.\, 2 Divinity Ave.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:China Humanities Seminar
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/08/Shoufu-Yin.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241021T161500
DTEND;TZID=America/New_York:20241021T174500
DTSTAMP:20260519T204255
CREATED:20240812T142027Z
LAST-MODIFIED:20250130T155052Z
UID:37119-1729527300-1729532700@fairbank.fas.harvard.edu
SUMMARY:Modern China Lecture Series featuring Janet Chen - Medium or Message? The Politics of Language in Broadcasting in Taiwan\, 1945-1975
DESCRIPTION:Speaker: Janet Y. Chen\, Professor of Chinese History; Director\, East Asian Studies Program\, Princeton University \n\n\n\nAt the end of 1975\, the KMT government in Taiwan passed the Radio and Television Law\, designating Mandarin as the “primary language of broadcasting” and mandating the reduction of dialect. This legislation\, which took effect in January 1976\, was the culmination of more than twenty years of debates over the politics of language in mass media. Radio and television broadcasting were crucial components of the state apparatus for fighting the “psychological war” (心戰) of “opposing the Communists and resisting the Soviets” (反共抗俄). Yet using the national language as the medium of broadcasting made it difficult to effectively disseminate the messages crucial to sustaining the cause of anti-Communism. Programming in Minnanhua and Hakka could reach wider audiences\, but at the cost of diluting the national language project. Which was more important—the medium or the message? This talk will examine changes in the mass media environment\, the effects on people’s interactions with the KMT’s ideological goals\, and the history of Radio and Television Law. \n\n\n\nJanet Chen is Professor of History and East Asian Studies\, specializing in twentieth-century China.  Her first book\, Guilty of Indigence: The Urban Poor in China\, 1900-1953(Link is external)(Princeton University Press\, 2012)\, is a study of the destitute homeless during a time of war and revolution.  A new book project underway\, titled “The Sounds of Mandarin: The Making of a National Language in China and Taiwan\,” will be a study of how ordinary people learned to speak “Mandarin” at its various stages of historical formation. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/modern-china-lecture-series-featuring-janet-chen/
LOCATION:CGIS Knafel K262\, 1737 Cambridge Street\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Modern China Lecture
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/janet-chen-talk.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241022T113000
DTEND;TZID=America/New_York:20241022T130000
DTSTAMP:20260519T204255
CREATED:20241002T152117Z
LAST-MODIFIED:20241002T152119Z
UID:37633-1729596600-1729602000@fairbank.fas.harvard.edu
SUMMARY:Jim Suk-Fong (Theodora) - Divine Saving in Greek and Chinese Polytheism
DESCRIPTION:Speaker: Jim Suk-Fong (Theodora)\, Associate Professor\, Ancient Greek History\, The University of Nottingham; HYI Library Research Scholar\, 2024Chair/Discussant: Michael Puett\, Walter C. Klein Professor of Chinese History and Anthropology; Director\, Asia Center\, Harvard University \n\n\n\nContrary to the tendency to study ancient Mediterranean religions in isolation from religions in the Far East\, this project brings together for the first time two world polytheistic systems: ancient Greece and premodern China. It embraces Marcel Detienne’s call to ‘compare the incomparable’. In this seminar I will share the findings on one aspect of this project: divine saving. The central question is: how did worshippers in two major polytheistic traditions imagine\, experience\, and represent the divine saving as they confronted the unknown and unknowable? I will look at the wide-ranging power of the gods in the Greek and Chinese pantheons on the one hand\, and worshippers’ religious beliefs\, practices and experience of worshippers on the other. I hope also to shed light on the Greek and Chinese religious worldviews and perceptions of their gods\, and ultimately to open up new questions for the study of both fields. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/jim-suk-fong-theodora-divine-saving-in-greek-and-chinese-polytheism/
LOCATION:Common Room\, 2 Divinity Ave.\, 2 Divinity Ave.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Co-Sponsored Lectures
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/Jim-Suk-Fong-Photo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241022T160000
DTEND;TZID=America/New_York:20241022T170000
DTSTAMP:20260519T204255
CREATED:20240917T172929Z
LAST-MODIFIED:20240917T172930Z
UID:37400-1729612800-1729616400@fairbank.fas.harvard.edu
SUMMARY:Michael C. Davis — Freedom Undone: The Assault on Liberal Values and Institutions in Hong Kong
DESCRIPTION:Register now\n\n\n\n\n\n\n\nSpeaker: Michael Davis\, Global Fellow\, Wilson Center; Senior Research Scholar\, Weatherhead East Asia Institute; Professor of Law and International Affairs\, O.P. Jindal Global University. Discussant: Dennis Kwok\, Partner\, Elliott Kwok Levine Jaroslaw Neils LLP \n\n\n\nWhat happens when liberal constitutional institutions guaranteeing basic freedoms are undone? Can Freedom survive the loss of separation of powers with the associated legal and political accountability? The Chinese Communist Party\, as a core part of its national security agenda\, has been at the forefront in its disdain for liberal institutions and promoting illiberal alternatives. This disdain placed Hong Kong’s people on the frontlines of the global struggle for freedom. Since its handover from Britain\, the city has felt the brunt of China’s illiberal agenda. In 2019 this took on greater intensity with an aggressive police crackdown on protesters\, quickly followed in 2020 by Beijing’s imposition of a National Security Law\, in 2021 by the imposition of a patriots only electoral system and in 2024 by enactment of local national security legislation. Thousands have been jailed and a city famous for vigorous protests has been silenced. Professor Michael C. Davis\, who taught human rights in the city for decades\, takes us on the constitutional journey of both the city’s vigorous defense of freedom and its repressive undoing—a painful loss for Hong Kong and a lesson for the world. Discussion can be expected to engage the still ongoing crisis in Hong Kong and the implications of the wider liberal/illiberal debate.Open to Harvard ID holders. Registration required. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/michael-c-davis-freedom-undone-the-assault-on-liberal-values-and-institutions-in-hong-kong/
LOCATION:124 Mount Auburn Street Suite 200N\, Ash Center Seminar Room 225\, 124 Mt. Auburn St.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Co-Sponsored Lectures
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/09/mc-davis.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241023T120000
DTEND;TZID=America/New_York:20241023T133000
DTSTAMP:20260519T204255
CREATED:20241010T164101Z
LAST-MODIFIED:20241010T164104Z
UID:37857-1729684800-1729690200@fairbank.fas.harvard.edu
SUMMARY:Asia Beyond Borders: Transnational Activist Connections from Sun and Ho's Day to this Era of Lennon Walls and Three-Finger Salutes 
DESCRIPTION:RSVP \n\n\n\n\n\n\n\nSpeaker: Jeffrey Wasserstrom\, Chancellor’s Professor of History at the University of California\, Irvine Moderator: James Robson\, James C. Kralik and Yunli Lou Professor of East Asian Languages and Civilizations; Harvard College Professor; Director\, Harvar-Yenching Institute  \n\n\n\nIn-person event. RSVP appreciated.  \n\n\n\nThis presentation will look at some of the various ways that activists fighting for change in different parts of Asia have learned from and collaborated with one another during the last century and more. The presenter will draw on work he has done throughout a career that began with a dissertation on Shanghai student protests of the first half of the 1900s\, included a ten-year stint as Editor of the Journal of Asian Studies\, and has recently found him focusing on the ties between twenty-first-century youth movements in Hong Kong and Bangkok. One of his central arguments will be that for over a century repertoires of resistance in Asia have been flowing across not just the divisions between individual countries but also those that scholars often use to draw distinctions between multi-country regions within Asia. Another will be that even in this era of rapid global flows\, even young activists versed in digital media who sometimes draw inspiration from things happening in and symbols associated with lands on the other side of the planet are often especially interested in and influenced by things taking place relatively nearby.  \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/asia-beyond-borders-transnational-activist-connections-from-sun-and-hos-day-to-this-era-of-lennon-walls-and-three-finger-salutes/
LOCATION:CGIS South\, Room S050\, 1730 Cambridge St\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Co-Sponsored Lectures
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/wasserstrom.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241023T150000
DTEND;TZID=America/New_York:20241023T160000
DTSTAMP:20260519T204255
CREATED:20241016T160926Z
LAST-MODIFIED:20241016T161019Z
UID:37875-1729695600-1729699200@fairbank.fas.harvard.edu
SUMMARY:Sheng Liu — Why Climatic Uncertainty Matters to Building Energy Performance: Case Studies in a Subtropical High-Density City
DESCRIPTION:RSVP\n\n\n\n\n\n\n\nSpeaker: Sheng Liu\, Assistant Professor\, School of Architecture\, Southwest Jiaotong University; Visiting Scholar\, Harvard-China Project (SEAS) and Harvard Graduate School of Design (GSD) \n\n\n\nDr. Sheng Liu is currently an Assistant Professor in the School of Architecture\, Southwest Jiaotong University who works on climate-responding architecture design and low-carbon city design. His research interests include sustainable architecture design\, building performance simulation and optimization\, climate change and building adaptation\, urban microclimate and indoor thermal comfort. He received his Ph.D. in Architecture from the Chinese University of Hong Kong in 2021. He was a Postdoctoral Fellow in the Department of Architecture\, the University of Hong Kong. He had worked as an architect in mainland China before starting academic research. Dr. Liu has published more than 20 leading peer-reviewed scientific journal publications for the past five years such as in Building and Environment\, Sustainable Cities and Society\, Energy and Buildings\, including two ESI highly citied papers. He is also the recipient of Postgraduate Research Output Award of the Chinese University of Hong Kong in 2021 and 2023 Green Building Award of HKGBC. For more information\, visit his website.  \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/sheng-liu-why-climatic-uncertainty-matters-to-building-energy-performance-case-studies-in-a-subtropical-high-density-city/
LOCATION:Pierce Hall 100F\, 29 Oxford St.\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Events of Interest
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/Sheng-Liu.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241024T200000
DTEND;TZID=America/New_York:20241024T211500
DTSTAMP:20260519T204255
CREATED:20241009T154202Z
LAST-MODIFIED:20241011T174610Z
UID:37750-1729800000-1729804500@fairbank.fas.harvard.edu
SUMMARY:Laikwan Pang - One and All: The Logic of Chinese Sovereignty
DESCRIPTION:Register now\n\n\n\n\n\n\n\nSpeakers: Laikwan Pang\, Chinese University of Hong KongYurou Zhong\, University of TorontoHang Tu\, National University of SingaporeModerator:David Der-wei Wang\, Harvard UniversityCo-Sponsors: East Asian Languages and Civilizations\, Harvard UniversityChiang Ching-kuo FoundationFairbank Center for Chinese Studies \n\n\n\nPresented via Zoom. Register at: https://harvard.zoom.us/webinar/register/WN_jmaBY41-TSS6wjgs6fWQmQ \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/laikwan-pang-one-and-all-the-logic-of-chinese-sovereignty/
LOCATION:Presented via Zoom
CATEGORIES:Co-Sponsored Lectures
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/pang-e1728668760964.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241025T113000
DTEND;TZID=America/New_York:20241025T130000
DTSTAMP:20260519T204256
CREATED:20241002T195850Z
LAST-MODIFIED:20241002T195851Z
UID:37638-1729855800-1729861200@fairbank.fas.harvard.edu
SUMMARY:Sung Eun Kim - Circumventing the Liberal Order: Protectionism with Chinese Characteristics
DESCRIPTION:Speaker: Sung Eun Kim\, Associate Professor\, Department of Political Science and International Relations\, Korea University; HYI Visiting Scholar\, 2024-25Chair/Discussant: Stephen Chaudoin\, Assistant Professor\, Government\, Harvard University \n\n\n\nThis talk will explore how China navigates its position as a rising power within the U.S.-led liberal economic order by employing veiled protectionist measures that align with international rules while advancing its domestic interests. As a member of the World Trade Organization (WTO)\, China faces the challenge of balancing its reputation as a responsible global actor with the need to protect its industries. This talk will examine China’s strategic use of opaque protectionist tools such as media control\, health and safety standards\, and selective regulatory enforcement to promote domestic industry growth while avoiding direct confrontation with global trade institutions. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/sung-eun-kim-circumventing-the-liberal-order-protectionism-with-chinese-characteristics/
LOCATION:Common Room\, 2 Divinity Ave.\, 2 Divinity Ave.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Co-Sponsored Lectures
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/Kim-Sung-Eun-Photo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241025T140000
DTEND;TZID=America/New_York:20241025T180000
DTSTAMP:20260519T204256
CREATED:20241010T155643Z
LAST-MODIFIED:20241010T155644Z
UID:37827-1729864800-1729879200@fairbank.fas.harvard.edu
SUMMARY:Exhibit: Dunhuang and Beyond
DESCRIPTION:reserve a ticket\n\n\n\n\n\n\n\nA major milestone and world-renowned heritage site within Silk Road networks\, Dunhuang preserves more than 400 embellished Buddhist cave shrines in present-day northwest China. \n\n\n\nDunhuang’s cave shrines date from the fifth to fourteenth centuries. Each encloses visitors within murals and carved figures that depict Buddhist legends and paradises. Chronicling innumerable exemplary works of Buddhist artmaking over centuries\, Dunhuang forms the largest encyclopedia art collection in situ. More significant than these artistic achievements\, the caves offer a glimpse into a universe that rests beyond our known physical reality. Much like the shadowy illusions of Plato’s allegorical cave\, the pictorial programs across Dunhuang’s caves reveal higher truths about life\, death\, and spiritual transcendence. \n\n\n\nThis fall\, CAMLab contextualizes Dunhuang within Buddhism’s broader currents of space- and art-making that surged across China during the medieval period.• Immersing visitors in confluences of light and sound\, the Cave Dance and Shadow Cave projects are case studies of two Dunhuang caves that reimagine the rich theatricality conjured by depictions of the dramas of the Buddha’s life and dances of transcendent beings. \n\n\n\n• Rebuilding the world’s tallest pagoda in VR\, the Embodied Architecture project invokes an 11the century transmission of these dynamics within the towering Shayka pagoda of the Fogang Monastery in present-day Yingxian\, China. There\, Buddhist pictorial motifs demarcate a journey of ascension toward enlightenment. \n\n\n\n• The Digital Temple project uses an interactive interface to unpack the multiplicity of compositions and multivalent topographies rendered across the murals of Kaihua monastery. \n\n\n\nBy examining Buddhism’s three primary contexts in medieval China—the cave\, the pagoda\, and the temple—these CAMLab projects reveal the dramatic perceptual experiences and invisible force fields embedded by visual programs within Buddhist sites.Reserve Your Ticket \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/exhibit-dunhuang-and-beyond-4/
LOCATION:Sackler Building\, Lower Level\, 485 Broadway\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Events of Interest
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/CAMlab.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241025T160000
DTEND;TZID=America/New_York:20241025T180000
DTSTAMP:20260519T204256
CREATED:20241009T205556Z
LAST-MODIFIED:20241011T174822Z
UID:37806-1729872000-1729879200@fairbank.fas.harvard.edu
SUMMARY:JFK Jr. Forum - A Conversation with Ambassador Kevin Rudd
DESCRIPTION:Register with a harvard e-mail address\n\n\n\n\n\n\n\nSpeaker: Kevin Rudd\, Australia’s Ambassador to the United States and Former Prime Minister of Australia \n\n\n\nModerators:Graham Alison\, Douglas Dillon Professor of Government\, Harvard UniversityMark Wu\, Director\, Fairbank Center for Chinese Studies; Henry L. Stimson Professor of Law  \n\n\n\nIn Rudd’s summary\, Xi is “part emperor and part revolutionary socialist.” Drawing on his direct experience with Xi\, as well as his analysis of Xi in the years since\, Ambassador Rudd will help us understand an individual who has been called the most ambitious and consequential leader on the international stage today.  \n\n\n\nCo-sponsors: Belfer Center for Science and International Affairs Fairbank Center for Chinese Studies \n\n\n\nPlease register with a valid Harvard email address to attend in-person. All JFK Jr. Forums are publicly livestreamed on YouTube. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/jfk-jr-forum-a-conversation-with-ambassador-kevin-rudd/
LOCATION:JFK Jr. Forum\, Harvard Kennedy School\, 79 John F. Kennedy St.\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Co-Sponsored Lectures
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/iop-rudd-e1728668893825.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241026T140000
DTEND;TZID=America/New_York:20241026T180000
DTSTAMP:20260519T204256
CREATED:20241010T155711Z
LAST-MODIFIED:20241010T155713Z
UID:37829-1729951200-1729965600@fairbank.fas.harvard.edu
SUMMARY:Exhibit: Dunhuang and Beyond
DESCRIPTION:reserve a ticket\n\n\n\n\n\n\n\nA major milestone and world-renowned heritage site within Silk Road networks\, Dunhuang preserves more than 400 embellished Buddhist cave shrines in present-day northwest China. \n\n\n\nDunhuang’s cave shrines date from the fifth to fourteenth centuries. Each encloses visitors within murals and carved figures that depict Buddhist legends and paradises. Chronicling innumerable exemplary works of Buddhist artmaking over centuries\, Dunhuang forms the largest encyclopedia art collection in situ. More significant than these artistic achievements\, the caves offer a glimpse into a universe that rests beyond our known physical reality. Much like the shadowy illusions of Plato’s allegorical cave\, the pictorial programs across Dunhuang’s caves reveal higher truths about life\, death\, and spiritual transcendence. \n\n\n\nThis fall\, CAMLab contextualizes Dunhuang within Buddhism’s broader currents of space- and art-making that surged across China during the medieval period.• Immersing visitors in confluences of light and sound\, the Cave Dance and Shadow Cave projects are case studies of two Dunhuang caves that reimagine the rich theatricality conjured by depictions of the dramas of the Buddha’s life and dances of transcendent beings. \n\n\n\n• Rebuilding the world’s tallest pagoda in VR\, the Embodied Architecture project invokes an 11the century transmission of these dynamics within the towering Shayka pagoda of the Fogang Monastery in present-day Yingxian\, China. There\, Buddhist pictorial motifs demarcate a journey of ascension toward enlightenment. \n\n\n\n• The Digital Temple project uses an interactive interface to unpack the multiplicity of compositions and multivalent topographies rendered across the murals of Kaihua monastery. \n\n\n\nBy examining Buddhism’s three primary contexts in medieval China—the cave\, the pagoda\, and the temple—these CAMLab projects reveal the dramatic perceptual experiences and invisible force fields embedded by visual programs within Buddhist sites.Reserve Your Ticket \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/exhibit-dunhuang-and-beyond-5/
LOCATION:Sackler Building\, Lower Level\, 485 Broadway\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Events of Interest
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/CAMlab.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241027T140000
DTEND;TZID=America/New_York:20241027T180000
DTSTAMP:20260519T204256
CREATED:20241010T155736Z
LAST-MODIFIED:20241010T155737Z
UID:37831-1730037600-1730052000@fairbank.fas.harvard.edu
SUMMARY:Exhibit: Dunhuang and Beyond
DESCRIPTION:reserve a ticket\n\n\n\n\n\n\n\nA major milestone and world-renowned heritage site within Silk Road networks\, Dunhuang preserves more than 400 embellished Buddhist cave shrines in present-day northwest China. \n\n\n\nDunhuang’s cave shrines date from the fifth to fourteenth centuries. Each encloses visitors within murals and carved figures that depict Buddhist legends and paradises. Chronicling innumerable exemplary works of Buddhist artmaking over centuries\, Dunhuang forms the largest encyclopedia art collection in situ. More significant than these artistic achievements\, the caves offer a glimpse into a universe that rests beyond our known physical reality. Much like the shadowy illusions of Plato’s allegorical cave\, the pictorial programs across Dunhuang’s caves reveal higher truths about life\, death\, and spiritual transcendence. \n\n\n\nThis fall\, CAMLab contextualizes Dunhuang within Buddhism’s broader currents of space- and art-making that surged across China during the medieval period.• Immersing visitors in confluences of light and sound\, the Cave Dance and Shadow Cave projects are case studies of two Dunhuang caves that reimagine the rich theatricality conjured by depictions of the dramas of the Buddha’s life and dances of transcendent beings. \n\n\n\n• Rebuilding the world’s tallest pagoda in VR\, the Embodied Architecture project invokes an 11the century transmission of these dynamics within the towering Shayka pagoda of the Fogang Monastery in present-day Yingxian\, China. There\, Buddhist pictorial motifs demarcate a journey of ascension toward enlightenment. \n\n\n\n• The Digital Temple project uses an interactive interface to unpack the multiplicity of compositions and multivalent topographies rendered across the murals of Kaihua monastery. \n\n\n\nBy examining Buddhism’s three primary contexts in medieval China—the cave\, the pagoda\, and the temple—these CAMLab projects reveal the dramatic perceptual experiences and invisible force fields embedded by visual programs within Buddhist sites.Reserve Your Ticket \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/exhibit-dunhuang-and-beyond-6/
LOCATION:Sackler Building\, Lower Level\, 485 Broadway\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Events of Interest
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/CAMlab.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241030T120000
DTEND;TZID=America/New_York:20241030T131500
DTSTAMP:20260519T204256
CREATED:20241022T190820Z
LAST-MODIFIED:20241029T141500Z
UID:37903-1730289600-1730294100@fairbank.fas.harvard.edu
SUMMARY:Rethinking UN Resolution 2758 and Taiwan’s International Participation
DESCRIPTION:Register now (Harvard id required)\n\n\n\n\n\n\n\nSpeakers:Johnson Sen Chiang\, Deputy Representative of the Taipei Economic and Cultural Representative Office (TECRO) in the USRyan Hass\, Director\, Brookings Institution John L. Thornton China Center; Former Director for China\, Taiwan\, and Mongolian Affairs\, White House National Security Council \n\n\n\nModerator: Wenchi Yu\, International Affairs Journalist\, TVBS television\, Taiwan; Ash Center Non-Resident Research Fellow \n\n\n\nJoin the Rajawali Foundation Institute for Asia for an insightful lunch discussion on “Rethinking UN Resolution 2758 and Taiwan’s International Participation.” This timely event will feature Johnson Sen Chiang\, Deputy Representative of the Taipei Economic and Cultural Representative Office (TECRO) in the US\, and Ryan Hass\, Director of the Brookings Institution’s John L. Thornton China Center and former Director for China\, Taiwan\, and Mongolian Affairs at the White House National Security Council during the Obama administration. Moderated by Dinda Elliott\, Executive Director of Harvard’s Fairbank Center for Chinese Studies\, the session will explore the complex challenges surrounding Taiwan’s international status and participation in global affairs. This event is co-sponsored by the Fairbank Center for Chinese Studies. \n\n\n\nLunch will be provided.Registration required. Only open to Harvard ID holders. Please register using your Harvard email address. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/rethinking-un-resolution-2758-and-taiwans-international-participation/
LOCATION:124 Mount Auburn Street Suite 200N\, Ash Center Seminar Room 225\, 124 Mt. Auburn St.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Taiwan,Taiwan Studies
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/09/Co-Sponsored-Event-LOGO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241030T163000
DTEND;TZID=America/New_York:20241030T180000
DTSTAMP:20260519T204256
CREATED:20240918T202959Z
LAST-MODIFIED:20240919T211446Z
UID:37438-1730305800-1730311200@fairbank.fas.harvard.edu
SUMMARY:Critical Issues Confronting China Series featuring Edward Wong — The Empire Reborn: China’s Expansion and Nationalism Today
DESCRIPTION:Speaker: Edward Wong\, Diplomatic Correspondent\, The New York Times Moderator: Mark C. Elliott\, Vice Provost of International Affairs\, Mark Schwartz Professor of Chinese and Inner Asian History\, Harvard University \n\n\n\nFrom the the earliest days of its rule\, the Communist Party poured resources into reconstituting the Qing Empire. Edward Wong talks about his father’s role in the military occupation of Xinjiang in the 1950s\, the subject of his new book\, At the Edge of Empire\, and his own reporting as a New York Times journalist on how China maintains control over its frontier regions. And what does the party’s focus on holding on to the territory of the Qing mean for the intentions of China’s leaders toward Taiwan\, the South China Sea and other areas outside of interior China? \n\n\n\nEdward Wong is a diplomatic correspondent for The New York Times and author of At the Edge of Empire: A Family’s Reckoning with China. He has reported for the Times for 25 years\, working for 13 of those as a correspondent and bureau chief from China and Iraq. Wong was a Nieman Fellow at Harvard University and has been a visiting professor at Princeton University and U.C. Berkeley. He was a recent fellow at the Wilson Center in Washington and at the Belfer Center at Harvard Kennedy School. Wong was awarded the Livingston Prize for his reporting on the Iraq War and was on a team that was a finalist for a Pulitzer Prize for coverage of the war. He graduated from the University of Virginia with a bachelor’s degree in English literature. He has joint master’s degrees in journalism and international studies from U.C. Berkeley. He received an honorary doctorate this year from Middlebury Language Schools. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/critical-issues-confronting-china-series-featuring-edward-wong-at-the-edge-of-empire/
LOCATION:CGIS South\, Tsai Auditorium (S010)\, 1730 Cambridge St\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Critical Issues Confronting China,Critical Issues Confronting China Series
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/09/Edward-Wong.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241031T113000
DTEND;TZID=America/New_York:20241031T130000
DTSTAMP:20260519T204256
CREATED:20240918T172604Z
LAST-MODIFIED:20240918T172605Z
UID:37428-1730374200-1730379600@fairbank.fas.harvard.edu
SUMMARY:Chang-Min Yu — The Use of the Modern and Taiwanese Film History
DESCRIPTION:Speaker: Chang-Min Yu\, Assistant Professor\, Department of Foreign Languages and Literatures\, National Taiwan University; HYI Visiting Scholar\, 2024-25Chair/Discussant: Alexander Zahlten\, Professor of East Asian Languages and Civilizations\, Harvard University \n\n\n\nThis talk will address a fundamental issue in the writing of film history: how do we articulate the relationship between modernity/modernization and film history without determination? That is to say\, is it possible to formulate this relationship as a germinating condition for film stylistics in which filmmakers can be seen as making meaningful choices? I propose the use of the modern as a means to redress the often-simplified\, unidirectional causality of modernity/modernization in global film historiography. My manuscript-in-progress\, Modernism Disclaimed: Taiwanese Film Historiography Before City of Sadness\, will be an exhibit in thinking along with mid-century Taiwanese intellectuals about the urgency of a modern cinema on the island of Formosa. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/chang-min-yu-the-use-of-the-modern-and-taiwanese-film-history/
LOCATION:Common Room\, 2 Divinity Ave.\, 2 Divinity Ave.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Co-Sponsored Lectures
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/09/Chang-min-yu.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241101T113000
DTEND;TZID=America/New_York:20241101T143000
DTSTAMP:20260519T204256
CREATED:20240930T152342Z
LAST-MODIFIED:20260127T181519Z
UID:37606-1730460600-1730471400@fairbank.fas.harvard.edu
SUMMARY:PRC @ 75 – Film Screening – The Dreamers Revisited: Bumming in Beijing (Original Extended Version)\, featuring an introduction by Eugene Yuejin Wang & Q+A with Wu Wenguang and Dingru Huang
DESCRIPTION:Introduction: Eugene Yuejin Wang\, Abby Aldrich Rockefeller Professor of Asian Art; Founding Director of Harvard FAS CAMLab\, Harvard University.
Q+A Discussion: Dingru Huang\, Rumsey Family Junior Professor in the Humanities and the Arts\, Department of International Literary and Cultural Studies\, Tufts University; former Fairbank Center associateProgrammer: Sam Maclean\, Communications Manager\, Fairbank Center for Chinese StudiesFollowed by a Zoom Q+A with filmmaker Wu Wenguang\, director of Bumming in Beijing: The Last Dreamers \n\n\n\n“I hope I can find a secure place to settle\, giving me enough time to create my art freely. That’s not too much to ask\, is it?” — painter Zhang Dali \n\n\n\nOften referred to as the first independent Chinese documentary ever made\, Bumming in Beijing: The Last Dreamers (1990) follows five young\, migrant artists—photographer Gao Bo\, playwright Mou Sen\, writer Zhang Ci\, and painters Zhang Dali and Zhang Xiaping—as they navigate the complexities of sociopolitical life in their adopted home of Beijing in the late 1980s.  \n\n\n\nThe subjects of the film (most of whom are now internationally recognized\, exhibited\, and award-winning artists in their respective fields) here refer to themselves\, alternately\, as “vagrants\,” “migrants\,” and “freelancers.” Some attended university in Beijing in the early 1980s\, while others migrated from rural parts of Heilongjiang\, Liaoning\, and Sichuan to look for work. The film’s director\, Wu Wenguang\, himself migrated to Beijing from Yunnan in 1988\, originally to take a position at CCTV. But after 1989\, Wu’s situation began to mirror that of his subjects—a struggling\, independent artist searching for free modes of expression. \n\n\n\nBumming in Beijing began its production life in 1988\, as an episode of a CCTV documentary series which would eventually be shelved for being too sensitive for its depiction of restless\, counterculture youths. In the fall of 1989\, Wu discreetly revived the project\, independently\, relying on the close relationships that he had developed with his subjects to draw out their feelings on a range of hot-button contemporary issues—residence permits\, economic inequality\, the commodification of art\, the position of women in the society\, and the temptation to go abroad—and using his remnant CCTV resources to complete an initial\, 134-minute version of the film. \n\n\n\nSubsequently\, a much shorter\, 68-minute version of Bumming in Beijing was created for international audiences\, screened at various film festivals\, and developed a reputation as one of the foundational works of China’s “New Documentary” film movement.  \n\n\n\nFor this screening\, we present the original\, extended cut of the film (which was only recently subtitled in English). This version offers a more immersive experience of what it was like occupying spaces on the margins of society at one of the most fraught and volatile moments in recent Chinese history. The filmmaking also strikes a balance between talking head-style documentary and long\, dialogue-less passages observing the subjects’ domestic life and artistic practice. It’s a more raw vision—Wu can be heard off-screen instructing his cinematographer how and when to move the camera; you can identify moments\, especially in earlier shot scenes\, when Wu is still working out how to approach his subjects—but all this strengthens the connective tissue between the mode of the film’s production and the social discourses it’s documenting\, resulting in a moving portrait of free and creatively resourceful art in the face of oppression. \n\n\n\nEugene Yuejin Wang is the Abby Aldrich Rockefeller Professor of Asian Art at Harvard University\, where he holds appointments in History of Art and Architecture\, Archeology\, Theater\, Dance\, and Media (TDM)\, Study of Religion\, and Inner Asia and Altaic Studies. A Guggenheim Fellow\, he is the author of the award-winning Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China. He is also the art history editor of Encyclopedia of Buddhism. His research ranges from early art and archaeology to modern art\, media\, and cinema. He is also the founding director of Harvard CAMLab\, which explores the nexus of cognition\, aesthetics\, and multimedia storyliving through expanded cinema and filmic installations.Dingru Huang is the Rumsey Family Assistant Professor in the Department of International Literary and Cultural Studies. Before joining Tufts\, she was at the University of California\, Berkeley\, as a Postdoctoral Fellow at the Center for Chinese Studies. Her research explores the entanglement of cultural production\, technological development\, and ecological imaginations in China and East Asia\, particularly the roles played by nonhuman animals. She has been published in peer-reviewed journals\, such as Modern Chinese Literature and Culture\, Ex-Position\, Wenxue\, and the Chung-wai Literary Quarterly.  \n\n\n\nThe Fairbank Center’s film screening series explores the largely unseen early history of independent film in China\, beginning in the late 1980s\, aiming to unearth films long-suppressed by Chinese authorities to fill out the narrative of modern film history in the PRC. \n\n\n\nBumming in Beijing (Original\, Extended Version)\, directed by Wu Wenguang. China\, 1990\, documentary\, 134 min. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/prc-75-film-screening-the-dreamers-revisited-bumming-in-beijing-original-extended-version-featuring-an-introduction-by-eugene-yuejin-wang/
LOCATION:CGIS South\, Tsai Auditorium (S010)\, 1730 Cambridge St\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Film Screening,Special Event
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/09/bumming.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241101T140000
DTEND;TZID=America/New_York:20241101T160000
DTSTAMP:20260519T204256
CREATED:20240903T185453Z
LAST-MODIFIED:20240918T200850Z
UID:37260-1730469600-1730476800@fairbank.fas.harvard.edu
SUMMARY:Digital China Initiative Workshop — Building a Digital Collection with GenAI Tools
DESCRIPTION:register here\n\n\n\n\n\n\n\nThis workshop focuses on leveraging GenAI tools to create\, manage\, and analyze digital collections for Literary Sinitic Studies. Participants will learn basic database concepts\, use Nocodb for data storage\, and explore how GenAI can assist in scraping\, cleaning\, and classifying data. The workshop will also cover fundamental analysis techniques for the resulting digital collection. \n\n\n\nTarget Audience: \n\n\n\n\nFaculty and students in Literary Sinitic Studies interested in building digital archives\n\n\n\nLibrarians and archivists working with Chinese language materials\n\n\n\nAnyone looking to create and manage digital collections efficiently using AI tools\n\n\n\n\nWorkshop Objectives: \n\n\n\n\nUnderstand basic database concepts and learn to use Nocodb for data storage\n\n\n\nExplore GenAI tools for web scraping\, data cleaning\, and classification\n\n\n\nDevelop skills in basic data analysis using the created digital collection\n\n\n\n\nAlso held November 8 and 15. \n\n\n\nRegistration Page \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/digital-china-initiative-workshop-building-a-digital-collection-with-genai-tools/
LOCATION:Room 202\, 61 Kirkland St.\, 61 Kirkland St.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Co-Sponsored Lectures
ATTACH;FMTTYPE=image/png:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/09/Digital-China-LOGO.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241101T140000
DTEND;TZID=America/New_York:20241101T180000
DTSTAMP:20260519T204256
CREATED:20241010T155820Z
LAST-MODIFIED:20241010T155821Z
UID:37833-1730469600-1730484000@fairbank.fas.harvard.edu
SUMMARY:Exhibit: Dunhuang and Beyond
DESCRIPTION:reserve a ticket\n\n\n\n\n\n\n\nA major milestone and world-renowned heritage site within Silk Road networks\, Dunhuang preserves more than 400 embellished Buddhist cave shrines in present-day northwest China. \n\n\n\nDunhuang’s cave shrines date from the fifth to fourteenth centuries. Each encloses visitors within murals and carved figures that depict Buddhist legends and paradises. Chronicling innumerable exemplary works of Buddhist artmaking over centuries\, Dunhuang forms the largest encyclopedia art collection in situ. More significant than these artistic achievements\, the caves offer a glimpse into a universe that rests beyond our known physical reality. Much like the shadowy illusions of Plato’s allegorical cave\, the pictorial programs across Dunhuang’s caves reveal higher truths about life\, death\, and spiritual transcendence. \n\n\n\nThis fall\, CAMLab contextualizes Dunhuang within Buddhism’s broader currents of space- and art-making that surged across China during the medieval period.• Immersing visitors in confluences of light and sound\, the Cave Dance and Shadow Cave projects are case studies of two Dunhuang caves that reimagine the rich theatricality conjured by depictions of the dramas of the Buddha’s life and dances of transcendent beings. \n\n\n\n• Rebuilding the world’s tallest pagoda in VR\, the Embodied Architecture project invokes an 11the century transmission of these dynamics within the towering Shayka pagoda of the Fogang Monastery in present-day Yingxian\, China. There\, Buddhist pictorial motifs demarcate a journey of ascension toward enlightenment. \n\n\n\n• The Digital Temple project uses an interactive interface to unpack the multiplicity of compositions and multivalent topographies rendered across the murals of Kaihua monastery. \n\n\n\nBy examining Buddhism’s three primary contexts in medieval China—the cave\, the pagoda\, and the temple—these CAMLab projects reveal the dramatic perceptual experiences and invisible force fields embedded by visual programs within Buddhist sites.Reserve Your Ticket \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/exhibit-dunhuang-and-beyond-7/
LOCATION:Sackler Building\, Lower Level\, 485 Broadway\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Events of Interest
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/CAMlab.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241102T140000
DTEND;TZID=America/New_York:20241102T180000
DTSTAMP:20260519T204256
CREATED:20241010T155844Z
LAST-MODIFIED:20241010T155845Z
UID:37835-1730556000-1730570400@fairbank.fas.harvard.edu
SUMMARY:Exhibit: Dunhuang and Beyond
DESCRIPTION:reserve a ticket\n\n\n\n\n\n\n\nA major milestone and world-renowned heritage site within Silk Road networks\, Dunhuang preserves more than 400 embellished Buddhist cave shrines in present-day northwest China. \n\n\n\nDunhuang’s cave shrines date from the fifth to fourteenth centuries. Each encloses visitors within murals and carved figures that depict Buddhist legends and paradises. Chronicling innumerable exemplary works of Buddhist artmaking over centuries\, Dunhuang forms the largest encyclopedia art collection in situ. More significant than these artistic achievements\, the caves offer a glimpse into a universe that rests beyond our known physical reality. Much like the shadowy illusions of Plato’s allegorical cave\, the pictorial programs across Dunhuang’s caves reveal higher truths about life\, death\, and spiritual transcendence. \n\n\n\nThis fall\, CAMLab contextualizes Dunhuang within Buddhism’s broader currents of space- and art-making that surged across China during the medieval period.• Immersing visitors in confluences of light and sound\, the Cave Dance and Shadow Cave projects are case studies of two Dunhuang caves that reimagine the rich theatricality conjured by depictions of the dramas of the Buddha’s life and dances of transcendent beings. \n\n\n\n• Rebuilding the world’s tallest pagoda in VR\, the Embodied Architecture project invokes an 11the century transmission of these dynamics within the towering Shayka pagoda of the Fogang Monastery in present-day Yingxian\, China. There\, Buddhist pictorial motifs demarcate a journey of ascension toward enlightenment. \n\n\n\n• The Digital Temple project uses an interactive interface to unpack the multiplicity of compositions and multivalent topographies rendered across the murals of Kaihua monastery. \n\n\n\nBy examining Buddhism’s three primary contexts in medieval China—the cave\, the pagoda\, and the temple—these CAMLab projects reveal the dramatic perceptual experiences and invisible force fields embedded by visual programs within Buddhist sites.Reserve Your Ticket \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/exhibit-dunhuang-and-beyond-8/
LOCATION:Sackler Building\, Lower Level\, 485 Broadway\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Events of Interest
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/CAMlab.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241103T140000
DTEND;TZID=America/New_York:20241103T180000
DTSTAMP:20260519T204256
CREATED:20241010T155911Z
LAST-MODIFIED:20241010T155913Z
UID:37837-1730642400-1730656800@fairbank.fas.harvard.edu
SUMMARY:Exhibit: Dunhuang and Beyond
DESCRIPTION:reserve a ticket\n\n\n\n\n\n\n\nA major milestone and world-renowned heritage site within Silk Road networks\, Dunhuang preserves more than 400 embellished Buddhist cave shrines in present-day northwest China. \n\n\n\nDunhuang’s cave shrines date from the fifth to fourteenth centuries. Each encloses visitors within murals and carved figures that depict Buddhist legends and paradises. Chronicling innumerable exemplary works of Buddhist artmaking over centuries\, Dunhuang forms the largest encyclopedia art collection in situ. More significant than these artistic achievements\, the caves offer a glimpse into a universe that rests beyond our known physical reality. Much like the shadowy illusions of Plato’s allegorical cave\, the pictorial programs across Dunhuang’s caves reveal higher truths about life\, death\, and spiritual transcendence. \n\n\n\nThis fall\, CAMLab contextualizes Dunhuang within Buddhism’s broader currents of space- and art-making that surged across China during the medieval period.• Immersing visitors in confluences of light and sound\, the Cave Dance and Shadow Cave projects are case studies of two Dunhuang caves that reimagine the rich theatricality conjured by depictions of the dramas of the Buddha’s life and dances of transcendent beings. \n\n\n\n• Rebuilding the world’s tallest pagoda in VR\, the Embodied Architecture project invokes an 11the century transmission of these dynamics within the towering Shayka pagoda of the Fogang Monastery in present-day Yingxian\, China. There\, Buddhist pictorial motifs demarcate a journey of ascension toward enlightenment. \n\n\n\n• The Digital Temple project uses an interactive interface to unpack the multiplicity of compositions and multivalent topographies rendered across the murals of Kaihua monastery. \n\n\n\nBy examining Buddhism’s three primary contexts in medieval China—the cave\, the pagoda\, and the temple—these CAMLab projects reveal the dramatic perceptual experiences and invisible force fields embedded by visual programs within Buddhist sites.Reserve Your Ticket \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/exhibit-dunhuang-and-beyond-9/
LOCATION:Sackler Building\, Lower Level\, 485 Broadway\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Events of Interest
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/CAMlab.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241105T121500
DTEND;TZID=America/New_York:20241105T133000
DTSTAMP:20260519T204256
CREATED:20241028T163349Z
LAST-MODIFIED:20241031T134132Z
UID:38068-1730808900-1730813400@fairbank.fas.harvard.edu
SUMMARY:China-North Korea Dynamics: Is Their Bond Eroding as North Korea Draws Closer to Russia?
DESCRIPTION:Speaker: Seong-Hyon Lee\, Associate\, Harvard University Asia Center; Former China Director\, Sejong Institute\, SeoulModerator: Andrew S. Erickson\, Professor of Strategy\, China Maritime Studies Institute\, U.S. Naval War College; Visiting Scholar\, Fairbank Center for Chinese Studies\, Harvard University The talk will examine the evolving China-North Korea relationship\, particularly as Pyongyang strengthens its ties with Russia and how this affects Beijing’s strategic calculations. While China and North Korea have experienced periods of diplomatic tension\, their partnership remains resilient\, serving Beijing’s broader objective of counterbalancing U.S. influence in Asia. This relationship enables China to maintain regional stability while compelling the United States to divide its strategic attention across multiple theaters. The discussion will probe how China’s management of its North Korean alliance reflects its larger geopolitical strategy within the context of U.S.-China competition. \n\n\n\nA light lunch will be provided.  \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/china-north-korea-dynamics-is-their-bond-eroding-as-north-korea-draws-closer-to-russia/
LOCATION:CGIS South\, Room S050\, 1730 Cambridge St\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Co-Sponsored Lectures
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/09/Co-Sponsored-Event-LOGO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241105T160000
DTEND;TZID=America/New_York:20241105T173000
DTSTAMP:20260519T204256
CREATED:20240812T161133Z
LAST-MODIFIED:20250130T155052Z
UID:37138-1730822400-1730827800@fairbank.fas.harvard.edu
SUMMARY:Modern China Lecture Series featuring Selda Altan — Chinese Workers of the World: Colonialism\, Chinese Labor\, and the Yunnan–Indochina Railway
DESCRIPTION:Speaker: Selda Altan\, Assistant Professor of History\, Randolph College \n\n\n\nThis talk explores labor conflicts during the construction of the French railway between China and Vietnam (1898–1910) as an episode in the emergence of Chinese workers as a global working class. Drawing on Chinese\, French\, and English sources\, the discussion reveals how inter-colonial competition for cheap labor and the global circulation of anti-Chinese discourses shaped labor market dynamics in China. These developments set the stage for labor to emerge as a radical force in Chinese politics. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/modern-china-lecture-series-featuring-selda-altan/
LOCATION:CGIS Knafel K262\, 1737 Cambridge Street\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Modern China Lecture
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/08/Selda-altan.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241106T160000
DTEND;TZID=America/New_York:20241106T173000
DTSTAMP:20260519T204256
CREATED:20241017T182715Z
LAST-MODIFIED:20241031T150622Z
UID:37880-1730908800-1730914200@fairbank.fas.harvard.edu
SUMMARY:Visiting Fellow Presentation and Discussion featuring Mitch Presnick — Leveraging China's Strengths as Alternative to Decoupling: Opportunities for Multinational Companies
DESCRIPTION:register for zoom meeting\n\n\n\n\n\n\n\nSpeaker: Mitch Presnick\, Visiting Fellow of Practice\, Fairbank Center for Chinese Studies; Founder\, Super 8 Hotels\, ChinaDiscussant: William Kirby\, Spangler Family Professor of Business Administration and T.M. Chang Professor of China Studies\, Harvard University \n\n\n\nIn 1978\, Deng Xiaoping Relaunched his “Reform and Opening” policy to leverage Western technology and know-how for China’s development … Deng recognized that China’s modernization required both pragmatism and humility. Today\, the roles are reversing. Leaders of multinational corporations must adopt a certain Deng-like pragmatism and humility.  Those who do will see profitable global growth and will have a leg up in their home markets\, provided they seize opportunities in the four key strengths of the Chinese economy. \n\n\n\nPresented via Zoom. Register here. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/visiting-fellow-presentation-and-discussion-featuring-mitch-presnick-leveraging-chinas-strengths-as-alternative-to-decoupling-opportunities-for-multinational-companies/
LOCATION:Presented via Zoom
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2023/07/PresnickMitchell_VFP_2023_photo_square.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241107T113000
DTEND;TZID=America/New_York:20241107T130000
DTSTAMP:20260519T204256
CREATED:20241015T152623Z
LAST-MODIFIED:20241015T152624Z
UID:37871-1730979000-1730984400@fairbank.fas.harvard.edu
SUMMARY:Kaiping Zhang — Governing China in the Digital Age: Legacies\, Challenges\, and Transformations
DESCRIPTION:Speaker: Kaiping Zhang\, Associate Professor\, Political Science\, Tsinghua University; HYI Visiting Scholar\, 2024-25Chair/Discussant: Yuhua Wang\,Professor of Government\, Harvard University \n\n\n\nChina has carried numerous historical legacies of governance from the imperial and revolutionary eras into the digital age. How do these historical shadows clash with a modernized\, networked society? Drawing on computational analyses of extensive data on propaganda\, government documents\, and public opinion\, this talk examines how China has adapted its governance practices to meet contemporary challenges —and whether these adaptations have been effective. The aim is to offer insights into the future prospects of China and its engagement with the world. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/kaiping-zhang-governing-china-in-the-digital-age-legacies-challenges-and-transformations/
LOCATION:Common Room\, 2 Divinity Ave.\, 2 Divinity Ave.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Co-Sponsored Lectures
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/10/kaiping-zhang.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241107T120000
DTEND;TZID=America/New_York:20241107T130000
DTSTAMP:20260519T204256
CREATED:20241029T172857Z
LAST-MODIFIED:20241029T172858Z
UID:38083-1730980800-1730984400@fairbank.fas.harvard.edu
SUMMARY:Transforming Classical Chinese Texts into Searchable Databases with AI
DESCRIPTION:Register now\n\n\n\n\n\n\n\nSpeaker: Guenther Lomas\, Founder\, Sigtica \n\n\n\nAs artificial intelligence becomes integral to the digital humanities\, it offers innovative methods that transform research capabilities and uncover new insights into historical texts and cultural narratives. This talk will demonstrate how AI-powered pipelines can process large volumes of unstructured classical Chinese texts\, such as genealogies and Qing dynasty government employee records\, including those from the Da Qing jin shen quan shu\, into organized\, searchable databases. \n\n\n\nThe pipeline addresses a longstanding challenge in classical Chinese studies: the labor-intensive manual data entry process. It is designed to efficiently process millions of pages from historical Chinese texts\, tackling complexities like layout identification and precision in text extraction. Central to this effort is customized Optical Character Recognition (OCR)\, which enhances data extraction accuracy and identifies key fields using Named Entity Recognition (NER) models. The result is clean\, tabular databases that improve accessibility\, allowing researchers to analyze Chinese historical content with unprecedented efficiency. Furthermore\, this methodology holds potential applications for other languages\, including Japanese\, Korean\, Arabic and Latin\, broadening its impact. \n\n\n\nBy exploring these methodologies and their implications\, this presentation aims to show how integrating advanced technological tools enriches scholarly inquiry in the digital humanities\, providing deeper insights into patterns and narratives within Chinese history and beyond. This approach promises to revolutionize data collection\, paving the way for alternative research practices across various linguistic contexts. \n\n\n\nLunch will be provided. Registration required \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/transforming-classical-chinese-texts-into-searchable-databases-with-ai/
LOCATION:CGIS South Room S354\, 1730 Cambridge St\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/09/Digital-China-LOGO.jpg
END:VEVENT
END:VCALENDAR