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DTSTART;TZID=America/New_York:20241101T113000
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DTSTAMP:20260502T040007
CREATED:20240930T152342Z
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SUMMARY:PRC @ 75 – Film Screening – The Dreamers Revisited: Bumming in Beijing (Original Extended Version)\, featuring an introduction by Eugene Yuejin Wang & Q+A with Wu Wenguang and Dingru Huang
DESCRIPTION:Introduction: Eugene Yuejin Wang\, Abby Aldrich Rockefeller Professor of Asian Art; Founding Director of Harvard FAS CAMLab\, Harvard University.
Q+A Discussion: Dingru Huang\, Rumsey Family Junior Professor in the Humanities and the Arts\, Department of International Literary and Cultural Studies\, Tufts University; former Fairbank Center associateProgrammer: Sam Maclean\, Communications Manager\, Fairbank Center for Chinese StudiesFollowed by a Zoom Q+A with filmmaker Wu Wenguang\, director of Bumming in Beijing: The Last Dreamers \n\n\n\n“I hope I can find a secure place to settle\, giving me enough time to create my art freely. That’s not too much to ask\, is it?” — painter Zhang Dali \n\n\n\nOften referred to as the first independent Chinese documentary ever made\, Bumming in Beijing: The Last Dreamers (1990) follows five young\, migrant artists—photographer Gao Bo\, playwright Mou Sen\, writer Zhang Ci\, and painters Zhang Dali and Zhang Xiaping—as they navigate the complexities of sociopolitical life in their adopted home of Beijing in the late 1980s.  \n\n\n\nThe subjects of the film (most of whom are now internationally recognized\, exhibited\, and award-winning artists in their respective fields) here refer to themselves\, alternately\, as “vagrants\,” “migrants\,” and “freelancers.” Some attended university in Beijing in the early 1980s\, while others migrated from rural parts of Heilongjiang\, Liaoning\, and Sichuan to look for work. The film’s director\, Wu Wenguang\, himself migrated to Beijing from Yunnan in 1988\, originally to take a position at CCTV. But after 1989\, Wu’s situation began to mirror that of his subjects—a struggling\, independent artist searching for free modes of expression. \n\n\n\nBumming in Beijing began its production life in 1988\, as an episode of a CCTV documentary series which would eventually be shelved for being too sensitive for its depiction of restless\, counterculture youths. In the fall of 1989\, Wu discreetly revived the project\, independently\, relying on the close relationships that he had developed with his subjects to draw out their feelings on a range of hot-button contemporary issues—residence permits\, economic inequality\, the commodification of art\, the position of women in the society\, and the temptation to go abroad—and using his remnant CCTV resources to complete an initial\, 134-minute version of the film. \n\n\n\nSubsequently\, a much shorter\, 68-minute version of Bumming in Beijing was created for international audiences\, screened at various film festivals\, and developed a reputation as one of the foundational works of China’s “New Documentary” film movement.  \n\n\n\nFor this screening\, we present the original\, extended cut of the film (which was only recently subtitled in English). This version offers a more immersive experience of what it was like occupying spaces on the margins of society at one of the most fraught and volatile moments in recent Chinese history. The filmmaking also strikes a balance between talking head-style documentary and long\, dialogue-less passages observing the subjects’ domestic life and artistic practice. It’s a more raw vision—Wu can be heard off-screen instructing his cinematographer how and when to move the camera; you can identify moments\, especially in earlier shot scenes\, when Wu is still working out how to approach his subjects—but all this strengthens the connective tissue between the mode of the film’s production and the social discourses it’s documenting\, resulting in a moving portrait of free and creatively resourceful art in the face of oppression. \n\n\n\nEugene Yuejin Wang is the Abby Aldrich Rockefeller Professor of Asian Art at Harvard University\, where he holds appointments in History of Art and Architecture\, Archeology\, Theater\, Dance\, and Media (TDM)\, Study of Religion\, and Inner Asia and Altaic Studies. A Guggenheim Fellow\, he is the author of the award-winning Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China. He is also the art history editor of Encyclopedia of Buddhism. His research ranges from early art and archaeology to modern art\, media\, and cinema. He is also the founding director of Harvard CAMLab\, which explores the nexus of cognition\, aesthetics\, and multimedia storyliving through expanded cinema and filmic installations.Dingru Huang is the Rumsey Family Assistant Professor in the Department of International Literary and Cultural Studies. Before joining Tufts\, she was at the University of California\, Berkeley\, as a Postdoctoral Fellow at the Center for Chinese Studies. Her research explores the entanglement of cultural production\, technological development\, and ecological imaginations in China and East Asia\, particularly the roles played by nonhuman animals. She has been published in peer-reviewed journals\, such as Modern Chinese Literature and Culture\, Ex-Position\, Wenxue\, and the Chung-wai Literary Quarterly.  \n\n\n\nThe Fairbank Center’s film screening series explores the largely unseen early history of independent film in China\, beginning in the late 1980s\, aiming to unearth films long-suppressed by Chinese authorities to fill out the narrative of modern film history in the PRC. \n\n\n\nBumming in Beijing (Original\, Extended Version)\, directed by Wu Wenguang. China\, 1990\, documentary\, 134 min. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/prc-75-film-screening-the-dreamers-revisited-bumming-in-beijing-original-extended-version-featuring-an-introduction-by-eugene-yuejin-wang/
LOCATION:CGIS South\, Tsai Auditorium (S010)\, 1730 Cambridge St\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Film Screening,Special Event
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/09/bumming.jpg
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DTSTART;TZID=America/New_York:20241107T163000
DTEND;TZID=America/New_York:20241107T180000
DTSTAMP:20260502T040007
CREATED:20240930T144639Z
LAST-MODIFIED:20241105T172433Z
UID:37604-1730997000-1731002400@fairbank.fas.harvard.edu
SUMMARY:PRC @ 75 – Memory as Resistance: From Tiananmen to Hong Kong featuring Rowena Xiaoqing He
DESCRIPTION:Speaker: Rowena Xiaoqing He (何曉清)\, Senior Research Fellow\, University of Texas Austin; author\, Tiananmen Exiles: Voices of the Struggle for Democracy in ChinaDiscussant: Anthony Saich\, Daewoo Professor of International Affairs; Director\, Rajawali Foundation Institute for Asia\, Harvard Kennedy School \n\n\n\nThis talk is grounded in over two decades of fieldwork on the preservation of historical memory tabooed by the CCP regime. Drawing on contextualized personal accounts\, Rowena He will illuminate the unequal contest between state-imposed interpretations of history and independent scholarship on China’s forbidden past\, and their implications for nationalism\, democratization\, and the field of China Studies. Highlighting her extensive interactions with local and mainland Chinese students during Hong Kong’s unprecedented social movement\, she illustrates how memory becomes a form of resistance that embodies citizen autonomy and agency. The power of the powerless. \n\n\n\nRowena Xiaoqing He (何曉清) is a China specialist and historian of modern China. She is interested in the nexus of history\, memory\, and power\, and their implications for the relationship between academic freedom and public opinion\, human rights and democratization\, and youth values and nationalism. Her first book\, Tiananmen Exiles: Voices of the Struggle for Democracy in China\, was named Top Five Books 2014 by the Asia Society’s China File. The book has been reviewed in the New York Review of Books\, Wall Street Journal\, Financial Times\, New Statesman\, Spectator\, Christian Science Monitor\, China Journal\, Human Rights Quarterly\, and other international periodicals. Her research has been supported by the Social Sciences and Humanities Research Council of Canada\, Harvard University’s Fairbank Center for Chinese Studies\, the Institute for Advanced Study at Princeton\, and the National Humanities Center. Dr. He received the Harvard University Certificate of Teaching Excellence for three consecutive years for the Tiananmen courses that she created. She joined the Chinese University of Hong Kong in 2019 and received the Faculty of Arts Outstanding Teaching Award in 2020 and 2021. In 2023\, she was denied a Hong Kong work visa to return to her position as an Associate Professor of History. Her op-eds have appeared in the Washington Post\, The Nation\, The Guardian\, The Globe and Mail\, and The Wall Street Journal. She was designated among the Top 100 Chinese Public Intellectuals 2016. Born and raised in China\, she received her Ph.D. from the University of Toronto. \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/prc-75-memory-as-resistance-from-tiananmen-to-hong-kong-featuring-rowena-he/
LOCATION:Hall A\, Science Center\, 1 Oxford St.\, Cambridge\, Massachusetts\, 02138\, United States
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/06/Rowena-He-3-scaled-e1728566990360.jpg
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DTSTART;TZID=America/New_York:20241120T120000
DTEND;TZID=America/New_York:20241120T131500
DTSTAMP:20260502T040007
CREATED:20240820T143752Z
LAST-MODIFIED:20241112T161815Z
UID:37190-1732104000-1732108500@fairbank.fas.harvard.edu
SUMMARY:Critical Issues Confronting China Series featuring Anne Stevenson-Yang — What Happens After the Chinese Miracle?
DESCRIPTION:Speaker: Anne Stevenson-Yang\, Founder and Reseach Director\, J Capital ResearchModerator: Anthony Saich\,Director\, Rajawali Foundation Institute for Asia and Daewoo Professor of International Affairs\, Harvard Kennedy School \n\n\n\nAnne Stevenson-Yang co-founded J Capital Research\, which publishes highly diligenced research reports on publicly traded companies. She also writes a weekly research piece called China Primary Insight. Over 25 years living in Beijing\, Anne worked as an industry analyst and founded three businesses in online and print media and software. She is author of three published books\, including Wild Ride: A Short History of the Opening and Closing of the Chinese Economy (2024\, Bui Jones). \n\n\n\n\n\n\n\n\n\n\n\nVenue
URL:https://fairbank.fas.harvard.edu/events/critical-issues-confronting-china-series-featuring-anne-stevenson-yang/
LOCATION:CGIS South S020\, Belfer Case Study Room\, 1730 Cambridge St.\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Critical Issues Confronting China,Critical Issues Confronting China Series
ATTACH;FMTTYPE=image/jpeg:https://fairbank.fas.harvard.edu/wp-content/uploads/2024/08/Anne-stevenson-yang.jpg
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