Film Screening
Big Waves, Great Earthquakes Screening No. 2 – Skirting Censorship in Tibet: No. 16. Barkhor South Street, featuring an introduction by Janet Gyatso and remarks from Lobsang Sangay
CGIS South, Tsai Auditorium (S010) 1730 Cambridge St, Cambridge, MA, United StatesIntroduction: Janet Gyatso, Hershey Professor of Buddhist Studies, Associate Dean for Academic Affairs, Harvard Divinity SchoolProgrammer: Sam Maclean, Communications Manager, Fairbank Center for Chinese Studies Update: Post-screening discussion with Lobsang Sangay, former Sikyong (President) of the Central Tibetan Administration, Senior Visiting Fellow, East Asian Legal Studies, Harvard Law School. Big Waves, Great Earthquakes explores the largely unseen […]
Film Screening: Mahjong (Ma jiang)
Harvard Film Archive, Carpenter Center 24 Quincy St, Cambridge, MA, United StatesMahjong is a game for four players, and the one who first collects winning sets of tiles wins. But the real game lies not in these rectangular pieces per se, but in deliberating what one already has and could afford to discard or how to acquire from others what one desires but does not yet […]
Film Screening: Taipei Story (Qing mei zhu ma)
Harvard Film Archive, Carpenter Center 24 Quincy St, Cambridge, MA, United StatesLung (Hou Hsiao-Hsien), an ex-Little League baseball player, runs a fabric store in Dihua Street, a traditional commercial center in the west of Taipei. His long-term girlfriend, Ah-Chin (Tsai Chin), in contrast, works an assistant to the manager at an architecture firm in the newly developed East District. The film centers on the increasing estrangement […]
Film Screening: The Terrorizers (Kong bu fen zi)
Harvard Film Archive, Carpenter Center 24 Quincy St, Cambridge, MA, United StatesCharacterized as “Yang’s most difficult, intellectually provocative, and structurally challenging film” (John Anderson), Edward Yang’s third feature-length film is a puzzle with immense reverberatory power. The Terrorizers depicts the intertwining of love and death among three different couples: a young photographer and his literary girlfriend; a middle-class and middle-aged married couple whose mutual estrangement grows to the […]
Tiananmen @ 35 Film Screening: The Gate of Heavenly Peace
CGIS South, Tsai Auditorium (S010) 1730 Cambridge St, Cambridge, MA, United StatesIntroduction: Carma Hinton, Art historian and Documentary Filmmaker; Robinson Professor of Visual Culture and Chinese Studies, George Mason University (retired) "In The Gate of Heavenly Peace (the literal translation of the name Tiananmen), the causes, effects and fallout from the six-week protest that led up to the Chinese government's crackdown on dissidents are detailed with intelligence, […]
Film Screening: In Our Time (Guang yin de gu shi)
Harvard Film Archive, Carpenter Center 24 Quincy St, Cambridge, MA, United StatesThe omnibus film In Our Time initiated radical innovations in terms of aesthetic styles, industry practices and commonly depicted themes, thereby revolutionizing the filmmaking industry in Taiwan and inaugurating the movement of Taiwan New Cinema. The four segments are shot by four young emerging directors and each film—set in different decades from the 1950s to the 1980s—represents […]
Film Screening: Yi Yi (A One and a Two …)
Harvard Film Archive, Carpenter Center 24 Quincy St, Cambridge, MA, United StatesEdward Yang’s cinematic swan song, released at the turn of the millennium, is a moving tapestry that weaves together the dissolution and reconstitution of the fragile subjectivities in an increasingly […]
Film Screening: A Brighter Summer Day (Guling jie shaonian sharen shijian)
Harvard Film Archive, Carpenter Center 24 Quincy St, Cambridge, MA, United StatesSimilar to Hou Hsiao-Hsien’s A City of Sadness (1989), A Brighter Summer Day also traces the experiences of a large family during a critical historical epoch in Taiwan. Set in the early 1960s, against the backdrop […]
Film Screening: In Our Time (Guang yin de gu shi)
Harvard Film Archive, Carpenter Center 24 Quincy St, Cambridge, MA, United StatesThe omnibus film In Our Time initiated radical innovations in terms of aesthetic styles, industry practices and commonly depicted themes, thereby revolutionizing the filmmaking industry in Taiwan and inaugurating the movement of […]