The first comprehensive study of the lifework of Guo Moruo (1892–1978) in English, this book explores the dynamics of translation, revolution, and historical imagination in twentieth-century Chinese culture.
Literature
Lei Ying, Graduate Student Associate at Harvard’s Fairbank Center for Chinese Studies and Ph.D. Candidate in East Asian Languages and Civilizations, examines the influence of Buddhist texts on Chinese canonical writer Lu Xun.
As part of the Fairbank Center’s exhibition of dazibao (大字报 “big-character posters”) and woodcuts from 1960s China, we present a four-part series on Cultural Revolution-era artworks. Jie Li, Professor of East Asian Languages and Civilizations at Harvard University, presents part 3 on the exhibitionism of dazibao.
作為費正清中心20世紀60年代中國"大字海報"和木刻展的一部分，我們展出了文化大革命時期藝術品的四部分系列。哈佛大學中國文學教授田曉飛介紹了第二部分：對達孜寶的意象和視覺活力的探索。
World-first Exhibition at Harvard displays “big character posters” from China’s Cultural Revolution Read our four-part blog post series on this exhibition: Exhibiting the Cultural Revolution, Part 1: Reading “Big-Character Posters”
Ted Hui, Ph.D. candidate in Harvard’s Department of East Asian Languages and Civilizations, describes his experience creating an online course with HarvardX.
Harvard Fairbank Center for Chinese Studies · Sino-Japanese Relations Through Kanzo Uchiyama And Lu Xun, with Joshua Fogel Sino-Japanese relations are often portrayed as a rivalry hindered by historical grievances.
Harvard Fairbank Center for Chinese Studies · Teaching Global Community in An Age of Anti-Immigration, with Eileen Chengyin Chow What role is there for storytelling and roleplay in teaching about
Tie Xiao’s Revolutionary Waves analyzes the centrality of the crowd in the Chinese cultural and political imagination and its global resonances by delving into a wide range of fiction, philosophy, poetry, and psychological studies.