Edward Yang’s cinematic swan song, released at the turn of the millennium, is a moving tapestry that weaves together the dissolution and reconstitution of the fragile subjectivities in an increasingly global, capitalist and mediated urban society. Yi Yi opens with a wedding and ends with a funeral. What unfolds between love and death is everything that saturates […]

Similar to Hou Hsiao-Hsien’s A City of Sadness (1989), A Brighter Summer Day also traces the experiences of a large family during a critical historical epoch in Taiwan. Set in the early 1960s, against the backdrop of a society witnessing the consequences of major demographic shifts and political oppression, this film depicts the difficult trials awaiting the simple and harmonious life […]

A satirical comedy with biting wit and a romance that is equally suspicious of and hopeful about love, this film ambitiously negotiates the coexistence of Confucianism with capitalism and democracy. In what feels like a second take of his Taipei Story, Yang stages a frantic tango that is danced not with two but twelve. A circle of closely […]