The omnibus film In Our Time initiated radical innovations in terms of aesthetic styles, industry practices and commonly depicted themes, thereby revolutionizing the filmmaking industry in Taiwan and inaugurating the movement of […]

Edward Yang’s cinematic swan song, released at the turn of the millennium, is a moving tapestry that weaves together the dissolution and reconstitution of the fragile subjectivities in an increasingly […]

Similar to Hou Hsiao-Hsien’s A City of Sadness (1989), A Brighter Summer Day also traces the experiences of a large family during a critical historical epoch in Taiwan. Set in the early 1960s, against the backdrop […]

The omnibus film In Our Time initiated radical innovations in terms of aesthetic styles, industry practices and commonly depicted themes, thereby revolutionizing the filmmaking industry in Taiwan and inaugurating the movement of […]