Events

The February 28th Incident: Imperial Legacies and War Aftermath in Taiwan, 1947

CGIS Knafel K262 1737 Cambridge Street, Cambridge, MA, United States

Speaker: Victor Louzon, Postdoctoral Scholar at the Weatherhead East Asian Institute, Columbia University The February 28th Incident, as the 1947 Taiwanese rebellion against Guomindang rule and its bloody suppression are known, is perhaps the most notorious episode in modern Taiwanese history. This talk offers new insights on this event, exploring the dynamics of decolonization and demobilization […]

China’s Banking Transformation: The Untold Story

CGIS Knafel K262 1737 Cambridge Street, Cambridge, MA, United States

Speaker: James Stent, Independent Director and Chairman of the Audit Committee of XacBank of Mongolia. Pundits have been predicting the impending collapse of the Chinese banking system. The collapse has […]

“Behemoth”: Film Screening and Discussion with Director Zhao Liang

Brattle Theater 40 Brattle St, Cambridge, MA, United States

Beginning with a mining explosion in Mongolia and ending in a ghost city west of Beijing, documentarian Zhao Liang’s new film Behemoth details, in one breathtaking sequence after another, the social and environmental devastation driven by the totality of humankind’s desire and greed. After the screening, Director Liang will attend via Skype for a discussion with […]

Gender Studies Workshop: Women and Friendship in Dynastic China

Participants: Beverly Bossler, University of California, Davis Ron Egan, Stanford University Grace Fong, McGill University Eileen Chow, Duke University Maram Epstein, University of Oregon Xu Man, Tufts University Organized by: Wai Yee Li, Harvard University Ellen Widmer, Wellesley College AGENDA 12:45-1:00 p.m.   Welcoming remarks First Panel Chair:              Wai-yee Li Discussant:     Xu Man […]

China Humanities Seminar: Forging a Master Key: Li Yu’s 李漁 Theory of Universal Theater

CGIS Knafel K262 1737 Cambridge Street, Cambridge, MA, United States

Speaker: S.E. Kile, University of Michigan Studies of Li Yu’s theorization of playwriting and theatrical performance have generally focused on his creation of a new technical vocabulary for playwriting and performance, the relationship between his theory’s tenets and his own playwriting practice, and the impact of profit-seeking on his ideas. I propose that using technology […]