Xiaofei Tian is Professor of Chinese Literature and Chair of the Regional Studies East Asia program. Her primary field of research is the Middle Period Chinese literature and culture, although she has also taught and published on Chinese literature from the late imperial and modern periods. She is the author of Tao Yuanming and Manuscript Culture: The Record of a Dusty Table (named a Choice Outstanding Academic Title in 2006), BeaconFire and Shooting Star: The Literary Culture of the Liang (502-557), Visionary Journeys: Travel Writings from Early Medieval and Nineteenth-century China, and The Halberd at Red Cliff: Jian’an and the Three Kingdoms. Her translation of a late nineteenth-century memoir, The World of a Tiny Insect: A Memoir of the Taiping Rebellion and Its Aftermath, was awarded the inaugural Patrick D. Hanan Prize by Association for Asian Studies in 2016. She is the co-editor and contributing author of TheOxford Handbook of Classical Chinese Literature (1000BCE-900CE) and of A New Literary History of Modern China, and the editor of Reading Du Fu (712-770): Nine Views (currently under review). Currently she is working on a book manuscript tentatively entitled Writing Empire, Writing Self: Cultural Transformations in Early Medieval China, as well as a project on Tang tales. Her teaching and research interests include manuscript culture, court culture, premodern Chinese travel writings, the Cultural Revolution period (1966-1976), as well as the writings of violence and trauma. From the Fairbank Blog:Exhibiting the Cultural Revolution, Part 2: The Visual Spectacle of “Dazibao” As part of the Fairbank Center’s exhibition of dazibao (大字报 “big-character posters”) and woodcuts from 1960s China, we present a four-part series on Cultural Revolution-era artworks. Xiaofei Tian, Professor of Chinese Literature at Harvard University, presents part 2: an exploration of the imagery and visual dynamism of dazibao. From the Fairbank Podcast:
田晓菲于哈佛大学完成对比文学博士学位（1998），现任哈佛大学中国文学教授、东亚区域研究硕士项目主任，主要研究兴趣为中国中世纪早期文学和文化历史，出版书籍包括《Beacon Fire and Shooting Star: The Literary Culture of the Liang (502-557)》（2007），《Visionary Journeys: Travel Writings from Early Medieval and Nineteenth-century China》（2011），《The World of a Tiny Insect: A Memoir of the Taiping Rebellion and Its Aftermath》（2014）。
Tian X. "The Emperor's New Music," Lapham's Quarterly. 2017;X (4) :203-207.
"Representing Kingship and Imagining Empire in Southern Dynasties Court Poetry," T'oung Pao. 2016;102.1 (3) :18-73.
"Remaking History: The Shu and Wu Perspectives in the Three Kingdoms Period," Journal of the American Oriental Society, 2016;136 (4) :705-731
"New Songs of the Jade Terrace and the Historicist Interpretation of Medieval Chinese Literature," Huadong shifan daxue xuebao. 2016;(2)
"Fan Writing: Lu Ji, Lu Yun and the Cultural Transactions between North and South," In: Southern Identity and Southern Estrangement in Medieval Chinese Poetry. Hong Kong: Hong Kong University Press ; 2015. pp. 43-78.
"Material and Symbolic Economies: Letters and Gifts in Early Medieval China," In: A History of Chinese Letters and Epistolary Culture. Leiden: Brill ; 2015. pp. 135-186
"Slashing Three Kingdoms: A Case Study in Fan Production on the Chinese Web," Modern Chinese Literature and Culture. 2015;27 (1) :224-277
"影子與水文: 關於前後赤壁賦與兩幅赤壁圖," In: 翰墨薈萃: 細讀美國藏中國五代宋元書畫珍品. Beijing: Beijing University Press ; 2012. pp. 296-311.
"The Making of a Hero: Lei Feng and Some Issues of Historiography," In: The People's Republic of China at 60: An International Assessment. Cambridge, MA: Harvard Asia Center ; 2011. pp. 283-95.