Introduction: Carma Hinton, Art historian and Documentary Filmmaker; Robinson Professor of Visual Culture and Chinese Studies, George Mason University (retired) “In The Gate of Heavenly Peace (the literal translation of the […]
Film and Media
Introduction: Janet Gyatso, Hershey Professor of Buddhist Studies, Associate Dean for Academic Affairs, Harvard Divinity SchoolProgrammer: Sam Maclean, Communications Manager, Fairbank Center for Chinese Studies Update: Post-screening discussion with Lobsang Sangay, former
Introduction: Iza Ding, Associate Professor of Political Science, Northwestern UniversityModerator: Sam Maclean, Communications Manager, Fairbank Center for Chinese Studies The screening will be followed by a Zoom Q&A with filmmaker Hao Zhiqiang.
The omnibus film In Our Time initiated radical innovations in terms of aesthetic styles, industry practices and commonly depicted themes, thereby revolutionizing the filmmaking industry in Taiwan and inaugurating the movement of
The omnibus film In Our Time initiated radical innovations in terms of aesthetic styles, industry practices and commonly depicted themes, thereby revolutionizing the filmmaking industry in Taiwan and inaugurating the movement of
A renowned young pianist, Tan Ching-Ching (Terry Hu) comes back to Taipei for the first time in thirteen years to give a performance. An old friend, Lin Jia-li (Sylvia Chang),
Characterized as “Yang’s most difficult, intellectually provocative, and structurally challenging film” (John Anderson), Edward Yang’s third feature-length film is a puzzle with immense reverberatory power. The Terrorizers depicts the intertwining of love
Mahjong is a game for four players, and the one who first collects winning sets of tiles wins. But the real game lies not in these rectangular pieces per se,
A satirical comedy with biting wit and a romance that is equally suspicious of and hopeful about love, this film ambitiously negotiates the coexistence of Confucianism with capitalism and democracy. In what
Similar to Hou Hsiao-Hsien’s A City of Sadness (1989), A Brighter Summer Day also traces the experiences of a large family during a critical historical epoch in Taiwan. Set in the early 1960s, against the backdrop