Speaker: Wang Dongling, Professor of Calligraphy and Director of the Modern Calligraphy Research Center, China Academy of Art, Hangzhou Paper and ink provided. Register at: https://docs.google.com/forms/d/e/1FAIpQLScyPdekMiEDa5XhgdmLmHn26csGN_s0FnHG38zBttjS3J422g/viewform Venue
Wang Dongling 王冬龄, one of China’s most highly regarded contemporary ink painters, will demonstrate his luan shu (“chaotic script”) calligraphy in a special event in the Calderwood Courtyard. In this
2024-25 Visiting Scholar; Associate research fellow at Institute of Modern History, Academia Sinica, Taiwan
2024-25 Graduate Student Associate; Ph.D. Candidate in the Department of History of Art and Architecture at Harvard University
How do humans and objects exist in relation to time and experience time? We often turn to space and spatial models as the dominant approach to analyzing visual materials, yet
This workshop reconsiders the significance of critical writings about acting, singing, and theatrical performance in China (c.1200–1850). How did artists, intellectuals, and critics reflect on experiences of watching or listening
Join co-curators Dr. Gülnar Eziz, Preceptor in East Asian Languages and Civilizations at Harvard University, and Isa Youshe, PhD Student, Committee on Inner Asian and Altaic Studies at Harvard University, for a 30-minute guided tour of the Central
Presented by the Fairbank Center—and generously supported by the Committee on Inner Asian and Altaic Studies, the Department of History of Art and Architecture, the Department of South Asian Studies,
Presented by the Fairbank Center—and generously supported by the Committee on Inner Asian and Altaic Studies, the Department of History of Art and Architecture, the Department of South Asian Studies,
Speaker: Michelle H. Wang, Associate Professor of Art History and Humanities, Reed College In The Art of Terrestrial Diagrams in Early China (University of Chicago Press, 2023), Michelle H. Wang
