Panelists:Ban, Yu ,Writer班宇（作家）Cui, Qiao, Beijing Contemporary Art Foundation崔峤（北京当代艺术基金会）Michel Hockx, University of Notre Dame贺麦晓（圣母大学）Huang, Ping, East China Normal University黄平（华东师范大学）Liang, Hai, Dalian University of Technology梁海（大连理工大学）Liu, Yan, University of International Business and Economics刘岩（对外经济贸易大学）Zhang, […]
Directed by Tsai Ming-liang.With Lee Kang-sheng, Anong Houngheuangsy.Taiwan/France, 2020, DCP, color, 127 min.Mandarin with English subtitles. In-person discussion with the director follows the film screening.Featuring remarks by Jie Li, John L. Loeb Associate
Directed by Tsai Ming-liang.Taiwan, 2015, DCP, color, 137 min.Mandarin with English subtitles. In-person discussion with the director follows the film screening. As if created to refute the notion that artists are
Rare and valuable is the filmmaker who expands one’s conception of the cinematic art; rarer still is the filmmaker who enlarges one’s notion of the term “director.” Malaysian-born, Taiwan-based auteur
Speaker: Victor Fan, King’s College London In Zen Buddhism, the notion of here and now is the key to attain––or return to––paññā/prajñā (insight). On a day-to-day basis, we live each moment
Rujing Huang 黃儒菁 , Ph.D. Candidate in Ethnomusicology at Harvard University, explores the musical roots of “harmony” in Chinese history.
Nathan Vedal, Ph.D. candidate in East Asian Languages and Civilizations and Fairbank Center Graduate Student Associate, explains how a Hollywood blockbuster about earth’s first contact with aliens echoes Neo-Confucian debates in the Ming Dynasty.
Sha Fei 沙飞 photographed China’s turbulent wartime in the 1930s and 40s, and in doing so defined a national visual culture. Curator Chiaomei Liu, Professor of History at National Taiwan University
